This unique collection brings together the work of photography writer, curator, and lecturer, Liz Wells, reflecting on key themes of landscape, place, nationhood and environmental concerns.
This unique collection brings together the work of photography writer, curator, and lecturer, Liz Wells, reflecting on key themes of landscape, place, nationhood and environmental concerns.
Liz Wells, writer, curator, and lecturer, edited The Photography Reader and The Photography Culture Reader (2019; 2003, 1st ed.) and Photography: A Critical Introduction (2021, 6th ed.; trans, Greek, 2008; Chinese, 2012; Korean, 2016) and is a co-editor for photographies, Routledge journals. She has contributed many essays within artist books, exhibition catalogues, journals, and other edited collections, some of which form part of this anthology of her (dispersed) writings. She is series editor for Photography, Place, Environment published by Routledge.
Inhaltsangabe
SECTION ONE Critical Reflections 1. Introduction: Photography Curation Criticism 2.Speaking of this Collection: A Conversation Between Martha Langford and Liz Wells 2022 SECTION TWO On Curation and Residency 3. Curatorial strategy as critical intervention - The Genesis of Facing East 2007 4. Landscapes of Exploration 2012 5. On Being Out of Place 2018 SECTION THREE Phenomena 6. Icy Prospects' 2003. 7. Light Touch 2014. 8. No Man's Land: Antarctica and the Contemporary Sublime' 2011. SECTION FOUR Place 9. Points of Departure: currencies of the post-industrial sublime 2012 10. Questions of Distance 2011. 11. Photography Nation Nature' 2012. 12. A Man of the North' 2014. 13. Hidden Histories and Landscape Enigmas 2019. 14. Histories and Imagination: narrative and metaphor in the work of John Kippin' 2018. 15. Silent Witness 2013 SECTION FIVE Critical Spaces 16. Seeing Beyond Belief: Cultural Studies as an Approach to Analysing the Visual' 2001. Co-author Martin Lister. 17. The Critical Forum' 2000. 18. Then and Now some notes on photography and theory' 2002. 19. Modes of Investigation: on photography and environment 2014.
SECTION ONE Critical Reflections 1. Introduction: Photography Curation Criticism 2.Speaking of this Collection: A Conversation Between Martha Langford and Liz Wells 2022 SECTION TWO On Curation and Residency 3. Curatorial strategy as critical intervention - The Genesis of Facing East 2007 4. Landscapes of Exploration 2012 5. On Being Out of Place 2018 SECTION THREE Phenomena 6. Icy Prospects' 2003. 7. Light Touch 2014. 8. No Man's Land: Antarctica and the Contemporary Sublime' 2011. SECTION FOUR Place 9. Points of Departure: currencies of the post-industrial sublime 2012 10. Questions of Distance 2011. 11. Photography Nation Nature' 2012. 12. A Man of the North' 2014. 13. Hidden Histories and Landscape Enigmas 2019. 14. Histories and Imagination: narrative and metaphor in the work of John Kippin' 2018. 15. Silent Witness 2013 SECTION FIVE Critical Spaces 16. Seeing Beyond Belief: Cultural Studies as an Approach to Analysing the Visual' 2001. Co-author Martin Lister. 17. The Critical Forum' 2000. 18. Then and Now some notes on photography and theory' 2002. 19. Modes of Investigation: on photography and environment 2014.
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