Antigoni Memou is Lecturer in Art History at the University of East London
Inhaltsangabe
Introduction CHAPTER 1 1.1 Toute la presse est toxique: May 1968 in the mainstream French press 1.2 The Zapatistas and the media spectacle 1.3 'When it bleeds, it leads': death and press photography in the anti-capitalist protests in Genoa 2001 CHAPTER 2 2.1 The student movement of May 1968: activist photography, self-reflection and antinomies 2.2 Zapatistas, photography and the internet or winning the game of visibility 2.3 Carnival against capitalism: global days of action & photographs of resistance CHAPTER 3 3.1 May '68 in the museum 3.2 The end of silence: Antonio Turok's photographs of the Zapatistas 3.3 Joel Sternfeld's anti-photojournalistic images of Genoa CONCLUSION BIBLIOGRAPHY Index
Introduction CHAPTER 1 1.1 Toute la presse est toxique: May 1968 in the mainstream French press 1.2 The Zapatistas and the media spectacle 1.3 'When it bleeds, it leads': death and press photography in the anti-capitalist protests in Genoa 2001 CHAPTER 2 2.1 The student movement of May 1968: activist photography, self-reflection and antinomies 2.2 Zapatistas, photography and the internet or winning the game of visibility 2.3 Carnival against capitalism: global days of action & photographs of resistance CHAPTER 3 3.1 May '68 in the museum 3.2 The end of silence: Antonio Turok's photographs of the Zapatistas 3.3 Joel Sternfeld's anti-photojournalistic images of Genoa CONCLUSION BIBLIOGRAPHY Index
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