Abigail Solomon-Godeau is Professor Emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, and the author of several books, including Photography at the Dock: Essays on Photographic History, Institutions, and Practices; Male Trouble: A Crisis in Representation; Rosemary Laing; Chair à canons: Photographie, discours, féminisme; and coauthor of Birgit Jürgenssen. ¿ Sarah Parsons is Associate Professor of Art History at York University.
Abigail Solomon-Godeau is Professor Emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, and the author of several books, including Photography at the Dock: Essays on Photographic History, Institutions, and Practices; Male Trouble: A Crisis in Representation; Rosemary Laing; Chair à canons: Photographie, discours, féminisme; and coauthor of Birgit Jürgenssen. ¿ Sarah Parsons is Associate Professor of Art History at York University.
Abigail Solomon-Godeau is Professor Emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, and the author of several books, including Photography at the Dock: Essays on Photographic History, Institutions, and Practices; Male Trouble: A Crisis in Representation; Rosemary Laing; Chair à canons: Photographie, discours, féminisme; and coauthor of Birgit Jürgenssen. Sarah Parsons is Associate Professor of Art History at York University.
Inhaltsangabe
List of Illustrations vii Preface. May the Bridges We Burn Light the Way / Sarah Parsons ix Introduction 1 1. Inside/Out (1995) 10 2. Written on the Body (1997) 27 3. The Family of Man: Refurbishing Humanism for a Postmodern Age (2004) 43 4. Torture at Abu Ghraib: In and Out of the Media (2007) 61 5. Harry Callahan: Gender, Genre, and Street Photography (2007) 77 6. Caught Looking: Susan Meiselas's Carnival Strippers (2008) 94 7. Framing Landscape Photography (2010) 107 8. The Ghosts of Documentary (2012) 123 9. Inventing Vivian Maier: Categories, Careers, and Commerce (2013) 141 10. Robert Mapplethorpe: Whitewashed and Polished (2014) 156 11. Body Double (2014) 171 12. The Coming of Age: Cindy Sherman, Feminism, and Art History (2014) 189 Notes 207 Bibliography 237 Index 249
List of Illustrations vii Preface. May the Bridges We Burn Light the Way / Sarah Parsons ix Introduction 1 1. Inside/Out (1995) 10 2. Written on the Body (1997) 27 3. The Family of Man: Refurbishing Humanism for a Postmodern Age (2004) 43 4. Torture at Abu Ghraib: In and Out of the Media (2007) 61 5. Harry Callahan: Gender, Genre, and Street Photography (2007) 77 6. Caught Looking: Susan Meiselas's Carnival Strippers (2008) 94 7. Framing Landscape Photography (2010) 107 8. The Ghosts of Documentary (2012) 123 9. Inventing Vivian Maier: Categories, Careers, and Commerce (2013) 141 10. Robert Mapplethorpe: Whitewashed and Polished (2014) 156 11. Body Double (2014) 171 12. The Coming of Age: Cindy Sherman, Feminism, and Art History (2014) 189 Notes 207 Bibliography 237 Index 249
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