Ian Jarvie

Philosophy of the Film

Epistemology, Ontology, Aesthetics

• Gebundenes Buch

Produktbeschreibung

Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.

Produktdetails

• Verlag: CRC Press
• Seitenzahl: 408
• Erscheinungstermin: 30. Juni 1987
• Englisch
• Abmessung: 224mm x 153mm x 30mm
• Gewicht: 594g
• ISBN-13: 9780710210166
• ISBN-10: 0710210167
• Artikelnr.: 22017236

Autorenporträt

Ian Jarvie

Inhaltsangabe

Preface
Acknowledgments
Introduction: On the Very Idea of a Philosophy of the Film: Casablanca
1. Philosophy of the Film
2. Film as Philosophy
3. Casablanca as Philosophy
4. Conclusion
Part One. Movies as a Philosophical Problem
1. Knowledge and Existence
2. Plato and the Cave
3. TheGoldenMountain
USD A Approval and Realism
4. Films and Academic Philosophy
Part Two. Movies as an Aesthetic Problem
5. Art and Science
6. Aesthetics and Essentialism
7. Arguments Against Films as Art
8. Films as Art
Part Three. Philosophical Problems on Film
9. Philosophy
10. Popular Philosophy
11. On Interpretation
12. Citizen Kane and the Essence of a Person
13. Rashomon: Is Truth Relative?
14. Persona: The Person as a Mask
15. Woody Allen and the Search for Moral Integrity
Conclusion
Notes
Bibliography
Index of Subjects
Index of Names