Introduction 1. Aesthetic autonomy and self-aggrandisement Jon Robson 2. The verse-line as a whole unit in working memory, ease of processing, and the aesthetic effects of form Nigel Fabb 3. Aesthetic disgust? Jenefer Robinson 4. The development of imaginative cognition Deena Skolnick Weisberg 5. The epistemology of fiction and the question of invariant norms Jonathan Gilmore 6. Explanations: aesthetic and scientific Shen-Yi Liao 7. Against nature? or, confessions of a Darwinian modernist Murray Smith 8. Mixed motivations: creativity as a virtue Berys Gaut 9. Creativity, virtue and the challenges from natural talent, ill-being and immorality Matthew Kieran 10. Music and cognitive science Roger Scruton 11. Aesthetics as a normative science Gordon Graham.
Introduction 1. Aesthetic autonomy and self-aggrandisement Jon Robson 2. The verse-line as a whole unit in working memory, ease of processing, and the aesthetic effects of form Nigel Fabb 3. Aesthetic disgust? Jenefer Robinson 4. The development of imaginative cognition Deena Skolnick Weisberg 5. The epistemology of fiction and the question of invariant norms Jonathan Gilmore 6. Explanations: aesthetic and scientific Shen-Yi Liao 7. Against nature? or, confessions of a Darwinian modernist Murray Smith 8. Mixed motivations: creativity as a virtue Berys Gaut 9. Creativity, virtue and the challenges from natural talent, ill-being and immorality Matthew Kieran 10. Music and cognitive science Roger Scruton 11. Aesthetics as a normative science Gordon Graham.
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