How can a finite thing mediate an infinite God? Critically weaving together patristics, theology, art history, aesthetics, and religious practice with the hermeneutic phenomenology of Hans-Georg Gadamer and Jean-Luc Marion, this book proposes a new answer to this paradox based on a fresh and original approach to the Byzantine icon.
How can a finite thing mediate an infinite God? Critically weaving together patristics, theology, art history, aesthetics, and religious practice with the hermeneutic phenomenology of Hans-Georg Gadamer and Jean-Luc Marion, this book proposes a new answer to this paradox based on a fresh and original approach to the Byzantine icon.
Stephanie Rumpza is a researcher in Philosophy at Sorbonne Université (Paris IV). Her research focuses on the mediation of image, word, and expression and the relation between phenomenological and theological thinking.
Inhaltsangabe
1. An introduction to the icon 2. Resonance: Hans-Georg Gadamer's aesthetics 3. The window: Jean-Luc Marion's 'Icon' 4. Representation: the icon and artwork 5. Presence: the icon and prayer 6. Substitution: the icon and veneration 7. Performance: the icon and the liturgy 8. The love letter: iconic mediation Select bibliography Index.
1. An introduction to the icon 2. Resonance: Hans-Georg Gadamer's aesthetics 3. The window: Jean-Luc Marion's 'Icon' 4. Representation: the icon and artwork 5. Presence: the icon and prayer 6. Substitution: the icon and veneration 7. Performance: the icon and the liturgy 8. The love letter: iconic mediation Select bibliography Index.
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