Introduction Gender, Subjectivity, and Cultural Critique from the Fin de Siecle to Fascism The Post-1945 Crisis of Enlightenment and the emergence of the "Other" Sex Challenging Masculine Subjectivity: Ingeborg Bachmann's Malina From His Point of View: Max Frisch's Mein Name sei Gantenbein The Critique of Instrumental Reason: Max Frisch's Homo faber and Christa Wolf's Stoerfall Pathologies: Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre End Visions: Heiner Mueller's Die Hamletmaschine and Christa Wolf's Kassandra Beyond the Impasse?: Barbara Koehler's "Elektra. Spiegelungen"
Introduction Gender, Subjectivity, and Cultural Critique from the Fin de Siecle to Fascism The Post-1945 Crisis of Enlightenment and the emergence of the "Other" Sex Challenging Masculine Subjectivity: Ingeborg Bachmann's Malina From His Point of View: Max Frisch's Mein Name sei Gantenbein The Critique of Instrumental Reason: Max Frisch's Homo faber and Christa Wolf's Stoerfall Pathologies: Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre End Visions: Heiner Mueller's Die Hamletmaschine and Christa Wolf's Kassandra Beyond the Impasse?: Barbara Koehler's "Elektra. Spiegelungen"
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