Periodization in the Art Historiographies of Central and Eastern Europe
Herausgeber: Adashinskaya, Anna; Kallestrup, Shona; Mihail, Mihnea Alexandru; Kuninska, Magdalena; Minea, Cosmin
Periodization in the Art Historiographies of Central and Eastern Europe
Herausgeber: Adashinskaya, Anna; Kallestrup, Shona; Mihail, Mihnea Alexandru; Kuninska, Magdalena; Minea, Cosmin
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This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization.
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This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 272
- Erscheinungstermin: 29. Januar 2024
- Abmessung: 246mm x 174mm
- Gewicht: 540g
- ISBN-13: 9781032013886
- ISBN-10: 1032013885
- Artikelnr.: 69939352
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 272
- Erscheinungstermin: 29. Januar 2024
- Abmessung: 246mm x 174mm
- Gewicht: 540g
- ISBN-13: 9781032013886
- ISBN-10: 1032013885
- Artikelnr.: 69939352
Shona Kallestrup is Associate Lecturer in the School of Art History at the University of St Andrews. She was formerly Senior Researcher at New Europe College, Bucharest. Magdalena Kuni¿ska is Assistant Professor in the Faculty of Art History at the Jagiellonian University in Kraków. She was formerly Senior Researcher at New Europe College, Bucharest. Mihnea Alexandru Mihail is Assistant Professor at the National University of Arts, Bucharest, and a research fellow at New Europe College, Bucharest. Anna Adashinskaya is a postdoctoral research fellow at the Laboratory for Medieval Studies of the Higher School of Economics, Moscow. She was formerly a postdoctoral fellow at New Europe College, Bucharest. Cosmin Minea is a postdoctoral researcher for the Chair of the History and Theory of Architecture Prof. Dr. Maarten Delbeke at ETH Zürich. He was formerly a postdoctoral fellow at New Europe College, Bucharest.
PART 1: INTRODUCTION
Introduction
1. Linear, Entangled, Anachronic: Periodization and the Shapes of Time in
Art History
PART 2: WE HAVE ALWAYS BEEN BYZANTINE
2. Renaissances in Byzantium and Byzantium in the Renaissance: the
International Development of Ideas and Terminology in Late Nineteenth- and
Early Twentieth-Century Europe
3. From Byzantine to Brâncovenesc: The Periodization of Romanian Art in the
Second Half of the Nineteenth Century
4. Regional Variations of the Byzantine Style. Canonization/Nationalization
of Art and Architecture in South-Eastern Europe
5. Bulgarian versus Byzantine: The Unrealized Museum of the Bulgarian
Revival and National Style Debates in Architecture ca. 1900
PART 3: OUR ART IS IN TEXTBOOKS
6. Sztuka. Zarys jej dziejów (Art. A Survey of its History, 1872): The
Disciplinary and Political Context of Józef ¿epkowski's Survey of Art
History
7. German Medievalism and Estonian Contemporaneity: Centre, Periphery and
Periodization in the Histories of Baltic and Estonian Art, 1880s-1930s
8. Periodization of Architecture in Croatian Art History: The Case of the
'Renaissance' and 'Transitional' Styles
PART 4: TRADITION WAS INVENTED BY MODERNITY
9. The European and the National in Imperial Historiography and
Periodization of the Russian School of Painting
10. Magmatic Foundations: The Emergence and Crystallization of Early Ideas
of Periodization in Polish Painting in the Nineteenth Century
11. Problematizing Periodization: Folk Art, National Narratives and
Cultural Politics in Early Twentieth-Century Romanian Art History
12. Beyond the Provincial: Entanglements of Regional Modernism in Interwar
Central Europe
PART 5: TURNING POINTS
13. Disaster and Renewal, 1241-42: The Transition from Romanesque to Gothic
in the Historiography of Medieval Art in the Kingdom of Hungary
14. Modernism Versus Modernism: Socialist Realism and Its Discontents in
Romania
Introduction
1. Linear, Entangled, Anachronic: Periodization and the Shapes of Time in
Art History
PART 2: WE HAVE ALWAYS BEEN BYZANTINE
2. Renaissances in Byzantium and Byzantium in the Renaissance: the
International Development of Ideas and Terminology in Late Nineteenth- and
Early Twentieth-Century Europe
3. From Byzantine to Brâncovenesc: The Periodization of Romanian Art in the
Second Half of the Nineteenth Century
4. Regional Variations of the Byzantine Style. Canonization/Nationalization
of Art and Architecture in South-Eastern Europe
5. Bulgarian versus Byzantine: The Unrealized Museum of the Bulgarian
Revival and National Style Debates in Architecture ca. 1900
PART 3: OUR ART IS IN TEXTBOOKS
6. Sztuka. Zarys jej dziejów (Art. A Survey of its History, 1872): The
Disciplinary and Political Context of Józef ¿epkowski's Survey of Art
History
7. German Medievalism and Estonian Contemporaneity: Centre, Periphery and
Periodization in the Histories of Baltic and Estonian Art, 1880s-1930s
8. Periodization of Architecture in Croatian Art History: The Case of the
'Renaissance' and 'Transitional' Styles
PART 4: TRADITION WAS INVENTED BY MODERNITY
9. The European and the National in Imperial Historiography and
Periodization of the Russian School of Painting
10. Magmatic Foundations: The Emergence and Crystallization of Early Ideas
of Periodization in Polish Painting in the Nineteenth Century
11. Problematizing Periodization: Folk Art, National Narratives and
Cultural Politics in Early Twentieth-Century Romanian Art History
12. Beyond the Provincial: Entanglements of Regional Modernism in Interwar
Central Europe
PART 5: TURNING POINTS
13. Disaster and Renewal, 1241-42: The Transition from Romanesque to Gothic
in the Historiography of Medieval Art in the Kingdom of Hungary
14. Modernism Versus Modernism: Socialist Realism and Its Discontents in
Romania
PART 1: INTRODUCTION
Introduction
1. Linear, Entangled, Anachronic: Periodization and the Shapes of Time in
Art History
PART 2: WE HAVE ALWAYS BEEN BYZANTINE
2. Renaissances in Byzantium and Byzantium in the Renaissance: the
International Development of Ideas and Terminology in Late Nineteenth- and
Early Twentieth-Century Europe
3. From Byzantine to Brâncovenesc: The Periodization of Romanian Art in the
Second Half of the Nineteenth Century
4. Regional Variations of the Byzantine Style. Canonization/Nationalization
of Art and Architecture in South-Eastern Europe
5. Bulgarian versus Byzantine: The Unrealized Museum of the Bulgarian
Revival and National Style Debates in Architecture ca. 1900
PART 3: OUR ART IS IN TEXTBOOKS
6. Sztuka. Zarys jej dziejów (Art. A Survey of its History, 1872): The
Disciplinary and Political Context of Józef ¿epkowski's Survey of Art
History
7. German Medievalism and Estonian Contemporaneity: Centre, Periphery and
Periodization in the Histories of Baltic and Estonian Art, 1880s-1930s
8. Periodization of Architecture in Croatian Art History: The Case of the
'Renaissance' and 'Transitional' Styles
PART 4: TRADITION WAS INVENTED BY MODERNITY
9. The European and the National in Imperial Historiography and
Periodization of the Russian School of Painting
10. Magmatic Foundations: The Emergence and Crystallization of Early Ideas
of Periodization in Polish Painting in the Nineteenth Century
11. Problematizing Periodization: Folk Art, National Narratives and
Cultural Politics in Early Twentieth-Century Romanian Art History
12. Beyond the Provincial: Entanglements of Regional Modernism in Interwar
Central Europe
PART 5: TURNING POINTS
13. Disaster and Renewal, 1241-42: The Transition from Romanesque to Gothic
in the Historiography of Medieval Art in the Kingdom of Hungary
14. Modernism Versus Modernism: Socialist Realism and Its Discontents in
Romania
Introduction
1. Linear, Entangled, Anachronic: Periodization and the Shapes of Time in
Art History
PART 2: WE HAVE ALWAYS BEEN BYZANTINE
2. Renaissances in Byzantium and Byzantium in the Renaissance: the
International Development of Ideas and Terminology in Late Nineteenth- and
Early Twentieth-Century Europe
3. From Byzantine to Brâncovenesc: The Periodization of Romanian Art in the
Second Half of the Nineteenth Century
4. Regional Variations of the Byzantine Style. Canonization/Nationalization
of Art and Architecture in South-Eastern Europe
5. Bulgarian versus Byzantine: The Unrealized Museum of the Bulgarian
Revival and National Style Debates in Architecture ca. 1900
PART 3: OUR ART IS IN TEXTBOOKS
6. Sztuka. Zarys jej dziejów (Art. A Survey of its History, 1872): The
Disciplinary and Political Context of Józef ¿epkowski's Survey of Art
History
7. German Medievalism and Estonian Contemporaneity: Centre, Periphery and
Periodization in the Histories of Baltic and Estonian Art, 1880s-1930s
8. Periodization of Architecture in Croatian Art History: The Case of the
'Renaissance' and 'Transitional' Styles
PART 4: TRADITION WAS INVENTED BY MODERNITY
9. The European and the National in Imperial Historiography and
Periodization of the Russian School of Painting
10. Magmatic Foundations: The Emergence and Crystallization of Early Ideas
of Periodization in Polish Painting in the Nineteenth Century
11. Problematizing Periodization: Folk Art, National Narratives and
Cultural Politics in Early Twentieth-Century Romanian Art History
12. Beyond the Provincial: Entanglements of Regional Modernism in Interwar
Central Europe
PART 5: TURNING POINTS
13. Disaster and Renewal, 1241-42: The Transition from Romanesque to Gothic
in the Historiography of Medieval Art in the Kingdom of Hungary
14. Modernism Versus Modernism: Socialist Realism and Its Discontents in
Romania