Ayanna Thompson re-evaluates the development of racial constructions in seventeenth-century England through an examination of popular theatrical depictions of torture.
Ayanna Thompson re-evaluates the development of racial constructions in seventeenth-century England through an examination of popular theatrical depictions of torture.
Ayanna Thompson in Assistant Professor of English and Women and Gender Studies at Arizona State University. Her edited collection, Colorblind Shakespeare: New Perspectives on Race and Performance, was published by Routledge in 2007.
Inhaltsangabe
Illustrations. Acknowledgments 1. Interrogating Torture and Finding Race 2. A Matter that is No Matter: Religion, Color, and the White Actress in The Empress of Morocco and Xerxes 3. When Race is Colored: Abjection and Racial Characterization in Titus Andronicus and Oroonoko 4. Racializing Civility: The Indian Emperour, or The Conquest of Mexico by the Spaniards 5. Racializing Mercantilism: Amboyna: or, The Cruelties of the Dutch to the English Merchants 6. Combating Historical Amnesia: On the Images of Prisoner Abuse from Abu Ghraib. Notes. Bibliography. Index
Illustrations. Acknowledgments 1. Interrogating Torture and Finding Race 2. A Matter that is No Matter: Religion, Color, and the White Actress in The Empress of Morocco and Xerxes 3. When Race is Colored: Abjection and Racial Characterization in Titus Andronicus and Oroonoko 4. Racializing Civility: The Indian Emperour, or The Conquest of Mexico by the Spaniards 5. Racializing Mercantilism: Amboyna: or, The Cruelties of the Dutch to the English Merchants 6. Combating Historical Amnesia: On the Images of Prisoner Abuse from Abu Ghraib. Notes. Bibliography. Index
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