The fifteen essays of this volume glimpse the diverse ways music historians ¿dö history, and the diverse ways in which music histories matter. The book takes in historical musicology as well as ethnomusicology and popular music, showcasing the diverse lines of evidence and approaches suitable for music history studies.
The fifteen essays of this volume glimpse the diverse ways music historians ¿dö history, and the diverse ways in which music histories matter. The book takes in historical musicology as well as ethnomusicology and popular music, showcasing the diverse lines of evidence and approaches suitable for music history studies.
Nancy November is currently an Associate Professor in musicology at the University of Auckland. Combining interdisciplinarity and cultural history, her research continues to center on chamber music of the late eighteenth and nineteenth centuries, probing questions of historiography, canonization, and genre. Recent publications include Beethoven¿s Theatrical Quartets: Opp. 59, 74, and 95 (Cambridge University Press, 2013); a three-volume set of fifteen string quartets by Emmanuel Aloys Förster (A-R Editions, 2016); and Cultivating String Quartets in Beethoven¿s Vienna (Boydell Press, 2017). She is the recipient of a Humboldt Fellowship, and two Marsden Grants from the New Zealand Royal Society.
Inhaltsangabe
Table of Contents Introduction Nancy November HIP Experiences 1. Some Senses of History among HIP Performers Mary Hunter 2. Counting to Four: The flûte du quatre in Charles Dieupart s Six Suittes (1701) Imogen Morris 3. The French style of Viol Bowing and the enflé in the Works of Marin Marais Polly Sussex 4. Contextual History through Rhetorical Visuality in Performing Monteverdi s Il pianto della Madonna Daniela Kaleva Performance as Celebration and Conservation 5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Tak Richard Moyle 6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation Mia Palencia Performing War 7. Historical Fidelity and Creative License in two Viennese Battles of the Nile Allan Badley 8. Gallipoli to the Somme: A Musical Witness to History Anthony Ritchie 9. Britten s Primal Scream Sterling Lambert Staging Power and Enlightenment 10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613 76) in Wolfenbüttel Court Festivities of the 1650s Hannah Spracklan-Holl 11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni s Il regno della Luna Lawrence Mays Performing the Body and the Senses 12. A New World is Opened up to View : Orchestral Gesture in Berlioz s Roméo et Juliette Inge van Rij 13. Italian Futurism: Music and the Senses in the Modern Age Jennifer Rumbell Performing the Popular 14. Saxophones Sobbed Out Jazz : New Zealand s First Jazz Recording Aleisha Ward 15. To Display Her Chief Accomplishment : Domestic Manuscript Music Collections in Colonial Australia Rosemary Richards Author Biographies
Table of Contents Introduction Nancy November HIP Experiences 1. Some Senses of History among HIP Performers Mary Hunter 2. Counting to Four: The flûte du quatre in Charles Dieupart s Six Suittes (1701) Imogen Morris 3. The French style of Viol Bowing and the enflé in the Works of Marin Marais Polly Sussex 4. Contextual History through Rhetorical Visuality in Performing Monteverdi s Il pianto della Madonna Daniela Kaleva Performance as Celebration and Conservation 5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Tak Richard Moyle 6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation Mia Palencia Performing War 7. Historical Fidelity and Creative License in two Viennese Battles of the Nile Allan Badley 8. Gallipoli to the Somme: A Musical Witness to History Anthony Ritchie 9. Britten s Primal Scream Sterling Lambert Staging Power and Enlightenment 10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613 76) in Wolfenbüttel Court Festivities of the 1650s Hannah Spracklan-Holl 11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni s Il regno della Luna Lawrence Mays Performing the Body and the Senses 12. A New World is Opened up to View : Orchestral Gesture in Berlioz s Roméo et Juliette Inge van Rij 13. Italian Futurism: Music and the Senses in the Modern Age Jennifer Rumbell Performing the Popular 14. Saxophones Sobbed Out Jazz : New Zealand s First Jazz Recording Aleisha Ward 15. To Display Her Chief Accomplishment : Domestic Manuscript Music Collections in Colonial Australia Rosemary Richards Author Biographies
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