This book examines how Mexican artisans and diverse actors participate in translations of aesthetics, politics, and history through the field of craft.
This book examines how Mexican artisans and diverse actors participate in translations of aesthetics, politics, and history through the field of craft.
Michele Avis Feder-Nadoff is an independent scholar, founder of Cuentos Foundation, and assistant editor of the Journal of Embodied Research.
Inhaltsangabe
Chapter One: Introducing Things: Between the Lines Part One: Translating Insides and Outsides, Materials and Gestures, Nomadic Aesthetics and Community Chapter Two: Artisans and Crafts in Post-revolutionary Mexico Chapter Three: The Case of the Rebozo: Stereotypes about Mexicanidad and Femininity in the Art of the Nineteenth Century Chapter Four: Performative Materiality, Masks and Masking in Teloloapan, Guerrero Chapter Five: Indigenous Aesthetics and "Glocalization": Recursive Agencies and Reflexivity Chapter Six: Identity, Female Empowerment and Resistance through Textile Crafts in the Pure¿pecha Region of Mexico Chapter Seven: The Triqui Huipil as a Representation of Territory: Women Immigrants between Oaxaca and San Luis Potosí Part Two: Fortleben: Calling Forth, Living Forth Chapter Eight: Pondering Fortleben: An interview with Janet Esser Chapter Nine: Winter Ceremonial Masks of the Tarascan Sierra, Michoacán, Mexico-Selected Excerpts Chapter Ten: Afterword
Chapter One: Introducing Things: Between the Lines Part One: Translating Insides and Outsides, Materials and Gestures, Nomadic Aesthetics and Community Chapter Two: Artisans and Crafts in Post-revolutionary Mexico Chapter Three: The Case of the Rebozo: Stereotypes about Mexicanidad and Femininity in the Art of the Nineteenth Century Chapter Four: Performative Materiality, Masks and Masking in Teloloapan, Guerrero Chapter Five: Indigenous Aesthetics and "Glocalization": Recursive Agencies and Reflexivity Chapter Six: Identity, Female Empowerment and Resistance through Textile Crafts in the Pure¿pecha Region of Mexico Chapter Seven: The Triqui Huipil as a Representation of Territory: Women Immigrants between Oaxaca and San Luis Potosí Part Two: Fortleben: Calling Forth, Living Forth Chapter Eight: Pondering Fortleben: An interview with Janet Esser Chapter Nine: Winter Ceremonial Masks of the Tarascan Sierra, Michoacán, Mexico-Selected Excerpts Chapter Ten: Afterword
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