Margaret Eddershaw was a founder member of the Department of Theatre Studies at Lancaster University, and during her twenty-five years there she combined an academic career with professional performing, directing and playwriting. She now lives in Greece, where she continues to write on and for the theatre.
Inhaltsangabe
INTRODUCTION 1 BRECHT AND THE PERFORMER: MEASURING THE DISTANCE 2 PERFORMING EARLY BRITISH BRECHT: FOLLOWING THE BERLINER 3 PERFORMING BRECHT POST-1968: THE RADICAL RESPONSES 4 PERFORMING 'CLASSICAL' BRECHT: MAKING THE STRANGE FAMILIAR 5 PERFORMING BRECHT IN THE 1990s: THREE APPROACHES TO POST-WALL BRECHT 6 PERFORMING BRECHT IN THE TWENTY-FIRST
INTRODUCTION 1 BRECHT AND THE PERFORMER: MEASURING THE DISTANCE 2 PERFORMING EARLY BRITISH BRECHT: FOLLOWING THE BERLINER 3 PERFORMING BRECHT POST-1968: THE RADICAL RESPONSES 4 PERFORMING 'CLASSICAL' BRECHT: MAKING THE STRANGE FAMILIAR 5 PERFORMING BRECHT IN THE 1990s: THREE APPROACHES TO POST-WALL BRECHT 6 PERFORMING BRECHT IN THE TWENTY-FIRST
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