Discussing crises through diverse examples, including the UK's National Theatre, public art installations, Occupy LSX, repatriation ceremonies and performances of the everyday, this book asks how performance captures and resists what is considered (politically, ideologically, culturally or socially) 'inside' or 'outside' Europe.
Discussing crises through diverse examples, including the UK's National Theatre, public art installations, Occupy LSX, repatriation ceremonies and performances of the everyday, this book asks how performance captures and resists what is considered (politically, ideologically, culturally or socially) 'inside' or 'outside' Europe.
Rachel Clements, University of Manchester, UK Emma Cox, Royal Holloway, University of London, UK Cristina Delgado-García, Manchester Metropolitan University, UK Marissia Fragkou, Canterbury Christ Church University, UK Louise Owen, Birkbeck, University of London, UK Giulia Palladini, University of Erfurt, Germany Florian Thamer, Freie Universität Berlin, Germany Myrto Tsilimpounidi, University of East London, UK Tina Turnheim, Freie Universität Berlin, Germany Aylwyn Walsh, University of Lincoln, UK
Inhaltsangabe
Introduction: Europe, Crises, Performance; Marilena Zaroulia and Philip Hager PART I: RETURNS 1. The Weimar Republic and its Return: Unemployment, Revolution, or Europe in a State of Schuld; Giulia Palladini 2. Towards a Nomadology of Class Struggle: Rhythms, Spaces and Occupy London Stock Exchange; Philip Hager 3. Topographies of Illicit Markets: Trolleys, Rickshaws and Yiusurum; Myrto Tsilimpounidi PART II: PARADOXES 4. Performing Politics of Care: Theatrical Practices of Radical Learning as a Weapon Against the Spectre of Fatalism; Florian Thamer / Tina Turnheim (Translated from German by Martin Thomas Pesl) 5. Making Time: The Prefigurative Politics of Quarantine's Entitled; Cristina Delgado-García 6. Theatrical nationhood: crisis on the National stage; Louise Owen 7. Staging the Others: Appearance, Visibility and Radical Border-Crossing in Athens; Aylwyn Walsh PART III:INTERPRETERS 8. The Riots: Expanding Sensible Evidence; Rachel Clements 9. 'We are Athens': Precarious Citizenships in Rimini Protokoll's Prometheus in Athens; Marissia Fragkou 10. At the Gates of Europe: Sacred Objects, Other Spaces and Performances of Dispossession; Marilena Zaroulia 11 Economies of Atonement in the European Museum: Repatriation and the Post-Rational; Emma Cox Bibliography Index
Introduction: Europe, Crises, Performance; Marilena Zaroulia and Philip Hager PART I: RETURNS 1. The Weimar Republic and its Return: Unemployment, Revolution, or Europe in a State of Schuld; Giulia Palladini 2. Towards a Nomadology of Class Struggle: Rhythms, Spaces and Occupy London Stock Exchange; Philip Hager 3. Topographies of Illicit Markets: Trolleys, Rickshaws and Yiusurum; Myrto Tsilimpounidi PART II: PARADOXES 4. Performing Politics of Care: Theatrical Practices of Radical Learning as a Weapon Against the Spectre of Fatalism; Florian Thamer / Tina Turnheim (Translated from German by Martin Thomas Pesl) 5. Making Time: The Prefigurative Politics of Quarantine's Entitled; Cristina Delgado-García 6. Theatrical nationhood: crisis on the National stage; Louise Owen 7. Staging the Others: Appearance, Visibility and Radical Border-Crossing in Athens; Aylwyn Walsh PART III:INTERPRETERS 8. The Riots: Expanding Sensible Evidence; Rachel Clements 9. 'We are Athens': Precarious Citizenships in Rimini Protokoll's Prometheus in Athens; Marissia Fragkou 10. At the Gates of Europe: Sacred Objects, Other Spaces and Performances of Dispossession; Marilena Zaroulia 11 Economies of Atonement in the European Museum: Repatriation and the Post-Rational; Emma Cox Bibliography Index
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