Performance in Popular Culture reveals the intricate relationship between performance and popular culture by exploring how theatrical conventions and dramaturgical tropes have informed the way the social is constructed for popular consumption.
Performance in Popular Culture reveals the intricate relationship between performance and popular culture by exploring how theatrical conventions and dramaturgical tropes have informed the way the social is constructed for popular consumption.
Sharon Mazer is Professor of Theatre and Performance Studies in Te Ara Poutama, the Faculty of M¿ori and Indigenous Development, at Auckland University of Technology, New Zealand.
Inhaltsangabe
PART I Screens and things1 The Marx Brothers: From stage to screen 2 Betty Boop's animated performances 3 Performing the pandemic PART II Boxed sets 4 Puppet plays: Boxes are made to be broken 5 I Love Lucy: From live performance to canned entertainment 6 Do you hear the people sing? PART III Stars in our eyes 7 Like a diva: From Maria Callas to Madonna 8 Beyoncé's Homecoming 'Lift Every Voice and Sing' 9 Got Talent PART IV Public arts/art's publics 10 Fragments of the past, cabinets of curiosity and cultural convergences 11 Marina Abramovic is present 12 Pepper's Ghost and the haunted, educational exhibits at Wellington Museum PART V Sporting arenas and fields of play 13 The fix is in: Professional wrestling 14 Olympian opening ceremonies 15 Cheerleaders in the popular (American) imagination PART VI Sideshows no more 16 Evangelical performance: From morality plays to the Power Team and Hell House 17 Queer shows 18 Feminism: One step forward, three steps back? PART VII Culture shows 19 Performing Maori 20 Shakespeare's Globe Theatre: Planted in London, popping up in Auckland 21 Making a show of royalty PART VIII Power, politics and protest 22 Donald Trump and the pro-wrestling-ifi cation of politics in the USA 23 Race matters 24 Visions of the apocalypse
PART I Screens and things1 The Marx Brothers: From stage to screen 2 Betty Boop's animated performances 3 Performing the pandemic PART II Boxed sets 4 Puppet plays: Boxes are made to be broken 5 I Love Lucy: From live performance to canned entertainment 6 Do you hear the people sing? PART III Stars in our eyes 7 Like a diva: From Maria Callas to Madonna 8 Beyoncé's Homecoming 'Lift Every Voice and Sing' 9 Got Talent PART IV Public arts/art's publics 10 Fragments of the past, cabinets of curiosity and cultural convergences 11 Marina Abramovic is present 12 Pepper's Ghost and the haunted, educational exhibits at Wellington Museum PART V Sporting arenas and fields of play 13 The fix is in: Professional wrestling 14 Olympian opening ceremonies 15 Cheerleaders in the popular (American) imagination PART VI Sideshows no more 16 Evangelical performance: From morality plays to the Power Team and Hell House 17 Queer shows 18 Feminism: One step forward, three steps back? PART VII Culture shows 19 Performing Maori 20 Shakespeare's Globe Theatre: Planted in London, popping up in Auckland 21 Making a show of royalty PART VIII Power, politics and protest 22 Donald Trump and the pro-wrestling-ifi cation of politics in the USA 23 Race matters 24 Visions of the apocalypse
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