Genius poet: Fred Moten has built a reputation as one of the greatest living poets, as evidenced by his numerous accolades including a MacArthur Genius Award, a Guggenheim Fellowship, the Truman Capote Award, and his book The Feel Trio was shortlisted for the NBA. This book will be submitted to many major awards in 2023. Many different hats: Moten is a poet, critic, and professor at NYU, teaching black studies, performance studies, poetics and critical theory. He also serves on the editorial boards of Callaloo, Discourse, American Quarterly and Social Text; as a member of the Critical Theory…mehr
Genius poet: Fred Moten has built a reputation as one of the greatest living poets, as evidenced by his numerous accolades including a MacArthur Genius Award, a Guggenheim Fellowship, the Truman Capote Award, and his book The Feel Trio was shortlisted for the NBA. This book will be submitted to many major awards in 2023. Many different hats: Moten is a poet, critic, and professor at NYU, teaching black studies, performance studies, poetics and critical theory. He also serves on the editorial boards of Callaloo, Discourse, American Quarterly and Social Text; as a member of the Critical Theory Institute at the University of California, Irvine; on the board of directors of the Center for Lesbian and Gay Studies, City University of New York; and on the advisory board of Issues in Critical Investigation, Vanderbilt University. He is very well-connected in many different circles and as such, this book will attract interdisciplinary audiences. Established critic: Moten has written numerous critical works, most notably The Undercommons: Fugitive Planning & Black Study (coauthored with Stefano Harney) and a triptych of critical writing from Duke University Press: Black and Blur, Stolen Life, and The Universal Machine. Often, those interested in his scholarly work are also interested in his poetry. He was a recent Bagley Wright Lecturer with Stefano Harney and toured in the Bay Area in 2022, widening his already large audience.
Fred Moten teaches courses and conducts research in black studies, performance studies, poetics and critical theory at New York University. He is the author of Arkansas (Pressed Wafer, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Books, 2007), Hughson's Tavern(Leon Works, 2008), B Jenkins (Duke University Press, 2009), The Feel Trio (Letter Machine Editions, 2014), which was a National Book Award finalist. He also is the co-author with Stefano Harney of The Undercommons: Fugitive Planning & Black Study (Minor Compositions, 2013).
Inhaltsangabe
Contents the red sheaves
covering corduroy, no strings attached the interfacial layer is violence, not care the intrafacial lair afro-alienation lining out tables and gems the faerie ornithologie sylphtet (a triologue of self and soul are you one of these motherfuckers? color field tiling, lining notes tilling, limning notes
surfacing the abolition of art, the abolition of freedom, the abolition of you and me approaching
asé cowrecked and led to trespass fingerprinting taj subjduction subductive lauren with the band2 why you leave ‘em with me? got ‘im! merda nostra knotting epistrophe and epistrophy or discovering
covering corduroy, no strings attached the interfacial layer is violence, not care the intrafacial lair afro-alienation lining out tables and gems the faerie ornithologie sylphtet (a triologue of self and soul are you one of these motherfuckers? color field tiling, lining notes tilling, limning notes
surfacing the abolition of art, the abolition of freedom, the abolition of you and me approaching
asé cowrecked and led to trespass fingerprinting taj subjduction subductive lauren with the band2 why you leave ‘em with me? got ‘im! merda nostra knotting epistrophe and epistrophy or discovering
graves say, grave says
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