Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and problems in affect theoryâ s history.
Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and problems in affect theoryâ s history.
Roger Mathew Grant is Associate Professor of Music at Wesleyan University. His first book, Beating Time and Measuring Music in the Early Modern Era (Oxford, 2014) won the Emerging Scholar Award from the Society for Music Theory.
Inhaltsangabe
Notes on Orthography and Translation vii Introduction 1 1 Eighteenth-Century Opera and the Mimetic Affektenlehre 29 2 Comic Opera: Mimesis Exploded 61 3 "Sonate, que me veux-tu?" and Other Dilemmas of Instrumental Music 86 4 The Attunement Affektenlehre 108 Coda: Affect after the Affektenlehre 131 Acknowledgments 143 Bibliography 147 Index 161
Notes on Orthography and Translation vii Introduction 1 1 Eighteenth-Century Opera and the Mimetic Affektenlehre 29 2 Comic Opera: Mimesis Exploded 61 3 "Sonate, que me veux-tu?" and Other Dilemmas of Instrumental Music 86 4 The Attunement Affektenlehre 108 Coda: Affect after the Affektenlehre 131 Acknowledgments 143 Bibliography 147 Index 161
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