As a noted composer and critic, Paul Dukas was a major figure in fin-de-siècle and early twentieth-century French music. Best known for L'Apprenti sorcier, he was internationally recognised as an artist and intellectual ofdistinction who contributed significantly to Parisian musical cultures and critical debates.
As a noted composer and critic, Paul Dukas was a major figure in fin-de-siècle and early twentieth-century French music. Best known for L'Apprenti sorcier, he was internationally recognised as an artist and intellectual ofdistinction who contributed significantly to Parisian musical cultures and critical debates.
Introduction An Intellectual and Aesthetic Formation: From Student Composer to Music Critic Symphony in C and Discourses of the French Symphony L'Apprenti sorcier and Theorising a Theatre of Programme Music Piano Works in Dialogue with Tradition Ariane et Barbe-Bleue and Conceptualising Opera after Wagner and Debussy Dance between the Symphonic Poem and Stage: Responding to Russian Influence After the First World War: Creative Renewal and Return to Music Criticism Afterword Bibliography
Introduction An Intellectual and Aesthetic Formation: From Student Composer to Music Critic Symphony in C and Discourses of the French Symphony L'Apprenti sorcier and Theorising a Theatre of Programme Music Piano Works in Dialogue with Tradition Ariane et Barbe-Bleue and Conceptualising Opera after Wagner and Debussy Dance between the Symphonic Poem and Stage: Responding to Russian Influence After the First World War: Creative Renewal and Return to Music Criticism Afterword Bibliography
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