This is the first full-length study of contemporary American fiction of passing. Its takes as its point of departure the return of racial and gender passing in the 1990Ã â â s in order to make claims about wider trends in contemporary American fiction. -- .
This is the first full-length study of contemporary American fiction of passing. Its takes as its point of departure the return of racial and gender passing in the 1990Ã â â s in order to make claims about wider trends in contemporary American fiction. -- .
Sinéad Moynihan is a Leverhulme Early Career Fellow in American Studies at the University of Nottingham
Inhaltsangabe
1. Introduction: 'Passing' into the present: passing narratives then and now 2. Living parchments, human documents: passing, racial identity and the literary marketplace 3. The way of the cross(-dresser): Catholicism, gender and race in two novels by Louise Erdrich 4. (W)Rites-of-passing: shifting racial and gender identities in Caucasia and Middlesex 5. Bodies / texts: passing and writing in The White Boy Shuffle and The Human Stain 6. Conclusion: 'Passing' fads?: recent controversies of authenticity and authorship Bibliography Index
1. Introduction: 'Passing' into the present: passing narratives then and now 2. Living parchments, human documents: passing, racial identity and the literary marketplace 3. The way of the cross(-dresser): Catholicism, gender and race in two novels by Louise Erdrich 4. (W)Rites-of-passing: shifting racial and gender identities in Caucasia and Middlesex 5. Bodies / texts: passing and writing in The White Boy Shuffle and The Human Stain 6. Conclusion: 'Passing' fads?: recent controversies of authenticity and authorship Bibliography Index
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