Participatory Arts in International Development
Herausgeber: Cooke, Paul; Soria-Donlan, Inés
Participatory Arts in International Development
Herausgeber: Cooke, Paul; Soria-Donlan, Inés
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This book explores the practical delivery of participatory arts projects for international development.
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This book explores the practical delivery of participatory arts projects for international development.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 246
- Erscheinungstermin: 27. August 2019
- Englisch
- Abmessung: 239mm x 160mm x 18mm
- Gewicht: 454g
- ISBN-13: 9780367024963
- ISBN-10: 0367024969
- Artikelnr.: 57598812
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 246
- Erscheinungstermin: 27. August 2019
- Englisch
- Abmessung: 239mm x 160mm x 18mm
- Gewicht: 454g
- ISBN-13: 9780367024963
- ISBN-10: 0367024969
- Artikelnr.: 57598812
Introduction: 'Post-Participatory' Arts for the 'Post-Development' Era'
Part I: Organisational Perspectives 1. Imagining Power: Development,
Participation and Creativity 2. Reflections on Practice: Integrating
Creative Arts into INGOs to Promote Participation, Activism and Alternative
Development Futures 3. Beyond the Development Imaginary: Alternative Policy
in Brazil and Colombia 4. Challenging the Message of the Medium: Scaling
Participatory Arts Projects and the Creativity Agenda in Kenya Part II: The
Role of the Researcher in Development 5. When Elvis Dances: Activating
Community Knowledge through Participatory Creative Practices in Santiago,
Chile 6. Fragments on Heroes, Artists and Interventions: Challenging Gender
Ideology and Provoking Active Citizenship through the Arts in Kosovo 7.
Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda 8.
Arts, Education and Reconciliation in Cambodia: Sociological Perspectives
9. Historical Research as an Advocacy Tool in India 10. Developing Dialogue
through Participatory Design and Imaginative Graphic-Ethnography Part III:
Exploring the Art Produced in Development 11. Filming the Margins:
Documentary Film, Participation and the Poetics of Resistance in
Contemporary Brazil 12. Taking the Product Seriously: Questions of Voice,
Politics and Aesthetics in Participatory Video 13. Researching like an
Artist: Disrupting Participatory Arts-Based Methods in Uganda and
Bangladesh
Part I: Organisational Perspectives 1. Imagining Power: Development,
Participation and Creativity 2. Reflections on Practice: Integrating
Creative Arts into INGOs to Promote Participation, Activism and Alternative
Development Futures 3. Beyond the Development Imaginary: Alternative Policy
in Brazil and Colombia 4. Challenging the Message of the Medium: Scaling
Participatory Arts Projects and the Creativity Agenda in Kenya Part II: The
Role of the Researcher in Development 5. When Elvis Dances: Activating
Community Knowledge through Participatory Creative Practices in Santiago,
Chile 6. Fragments on Heroes, Artists and Interventions: Challenging Gender
Ideology and Provoking Active Citizenship through the Arts in Kosovo 7.
Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda 8.
Arts, Education and Reconciliation in Cambodia: Sociological Perspectives
9. Historical Research as an Advocacy Tool in India 10. Developing Dialogue
through Participatory Design and Imaginative Graphic-Ethnography Part III:
Exploring the Art Produced in Development 11. Filming the Margins:
Documentary Film, Participation and the Poetics of Resistance in
Contemporary Brazil 12. Taking the Product Seriously: Questions of Voice,
Politics and Aesthetics in Participatory Video 13. Researching like an
Artist: Disrupting Participatory Arts-Based Methods in Uganda and
Bangladesh
Introduction: 'Post-Participatory' Arts for the 'Post-Development' Era'
Part I: Organisational Perspectives 1. Imagining Power: Development,
Participation and Creativity 2. Reflections on Practice: Integrating
Creative Arts into INGOs to Promote Participation, Activism and Alternative
Development Futures 3. Beyond the Development Imaginary: Alternative Policy
in Brazil and Colombia 4. Challenging the Message of the Medium: Scaling
Participatory Arts Projects and the Creativity Agenda in Kenya Part II: The
Role of the Researcher in Development 5. When Elvis Dances: Activating
Community Knowledge through Participatory Creative Practices in Santiago,
Chile 6. Fragments on Heroes, Artists and Interventions: Challenging Gender
Ideology and Provoking Active Citizenship through the Arts in Kosovo 7.
Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda 8.
Arts, Education and Reconciliation in Cambodia: Sociological Perspectives
9. Historical Research as an Advocacy Tool in India 10. Developing Dialogue
through Participatory Design and Imaginative Graphic-Ethnography Part III:
Exploring the Art Produced in Development 11. Filming the Margins:
Documentary Film, Participation and the Poetics of Resistance in
Contemporary Brazil 12. Taking the Product Seriously: Questions of Voice,
Politics and Aesthetics in Participatory Video 13. Researching like an
Artist: Disrupting Participatory Arts-Based Methods in Uganda and
Bangladesh
Part I: Organisational Perspectives 1. Imagining Power: Development,
Participation and Creativity 2. Reflections on Practice: Integrating
Creative Arts into INGOs to Promote Participation, Activism and Alternative
Development Futures 3. Beyond the Development Imaginary: Alternative Policy
in Brazil and Colombia 4. Challenging the Message of the Medium: Scaling
Participatory Arts Projects and the Creativity Agenda in Kenya Part II: The
Role of the Researcher in Development 5. When Elvis Dances: Activating
Community Knowledge through Participatory Creative Practices in Santiago,
Chile 6. Fragments on Heroes, Artists and Interventions: Challenging Gender
Ideology and Provoking Active Citizenship through the Arts in Kosovo 7.
Mobile Arts for Peace (MAP): Youth and Participatory Arts in Rwanda 8.
Arts, Education and Reconciliation in Cambodia: Sociological Perspectives
9. Historical Research as an Advocacy Tool in India 10. Developing Dialogue
through Participatory Design and Imaginative Graphic-Ethnography Part III:
Exploring the Art Produced in Development 11. Filming the Margins:
Documentary Film, Participation and the Poetics of Resistance in
Contemporary Brazil 12. Taking the Product Seriously: Questions of Voice,
Politics and Aesthetics in Participatory Video 13. Researching like an
Artist: Disrupting Participatory Arts-Based Methods in Uganda and
Bangladesh