Parisian Points of View - Halevy, Ludovic
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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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Produktbeschreibung
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Autorenporträt
Ludovic Halévy (1834 - 1908) was a French author and playwright. In 1865, Ludovic Halévy's increasing popularity as an author enabled him to retire from the public service. Ten years earlier, he had become acquainted with the musician Offenbach, who was about to start a small theatre of his own in the Champs-Élysées and he wrote a sort of prologue, Entrez, messieurs, mesdames, for the opening night. Other little productions followed, Ba-ta-clan being the most noticeable among them. They were produced under the pseudonym of Jules Servières. The name of Ludovic Halévy appeared for the first time on the bills on 1 January 1856. Soon afterwards, the unprecedented run of Orphée aux enfers, a musical parody, written in collaboration with Hector Crémieux, made his name famous. In the spring of 1860, he was commissioned to write a play for the manager of the Variétés in conjunction with another vaudevillist, Lambert-Thiboust.