Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.
Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.
Eric Smoodin is Professor of American Studies at the University of California, Davis, and author of Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930–1960, and coeditor of Looking Past the Screen: Case Studies in American Film History and Method, both also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Introduction. A Walking Tour: 1930–1981 1 1. The Cinemas and the Films: 1931–1933 21 2. The Ciné-Clubs: 1930–1944 41 3. Chevalier and Dietrich: 1929–1935 60 4. Violence at the Cinema: 1930–1944 76 5. Occupied Paris: 1939–1944, 2009 99 6. Liberation Cinema, Postwar Cinema: 1944–1949 122 Conclusion. A Final Stroll, 1948–1954: 1980–2016 147 Notes 157 Bibliography 181 Index 189
Acknowledgments ix Introduction. A Walking Tour: 1930–1981 1 1. The Cinemas and the Films: 1931–1933 21 2. The Ciné-Clubs: 1930–1944 41 3. Chevalier and Dietrich: 1929–1935 60 4. Violence at the Cinema: 1930–1944 76 5. Occupied Paris: 1939–1944, 2009 99 6. Liberation Cinema, Postwar Cinema: 1944–1949 122 Conclusion. A Final Stroll, 1948–1954: 1980–2016 147 Notes 157 Bibliography 181 Index 189
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