Fallon charts the striking rise in the 1590's of a new species of textual being: the serial, semifictional persona. He argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."
Fallon charts the striking rise in the 1590's of a new species of textual being: the serial, semifictional persona. He argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."
Introduction Chapter 1. Robert Greene's Ghosts Chapter 2. Rehearsing Colin Clout Chapter 3. Astrophil, Philisides, and the Coterie in Print Chapter 4. Pierce Penilesse and the Art of Distinctions Coda Notes Bibliography Index Acknowledgments
Introduction Chapter 1. Robert Greene's Ghosts Chapter 2. Rehearsing Colin Clout Chapter 3. Astrophil, Philisides, and the Coterie in Print Chapter 4. Pierce Penilesse and the Art of Distinctions Coda Notes Bibliography Index Acknowledgments
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