"Explores the 17th-century consolidation of Japanese painting style by the Kan artistic house, based on knowledge brought back from China by the monk-painter Sesshèu and intertwined with native Japanese practices. Presents key factors in establishing theorthodoxy of the Kan painters and their role in defining Japanese painting."--Publisher's description.
"Explores the 17th-century consolidation of Japanese painting style by the Kan artistic house, based on knowledge brought back from China by the monk-painter Sesshèu and intertwined with native Japanese practices. Presents key factors in establishing theorthodoxy of the Kan painters and their role in defining Japanese painting."--Publisher's description.
Yukio Lippit is K. Weston Associate Professor of the Humanities in the Department of History of Art and Architecture at Harvard University. He is the author of Painting of the Realm: The Kano House of Painters in Seventeenth-Century Japan (University of Washington Press, 2012) and coauthor of Awakenings: Zen Figure Painting in Medieval Japan (Japan Society, 2007).
Inhaltsangabe
Preface and Acknowledgements A Note to Readers Introduction 1. The Heirloom Painting 2. House Manners 3. The Modal Album 4. The Surrogate Signature 5. Painting of the Realm Epilogue Notes Bibliography Index
Preface and Acknowledgements A Note to Readers Introduction 1. The Heirloom Painting 2. House Manners 3. The Modal Album 4. The Surrogate Signature 5. Painting of the Realm Epilogue Notes Bibliography Index
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