No area of ancient Greek literature has been more studied over the last few decades than "lyric poetry": this volume offers both scholars and students an accessible yet comprehensive and insightful overview of the field, bringing together eighteen of the best and most influential essays to be published on lyric poetry over the last four decades.
No area of ancient Greek literature has been more studied over the last few decades than "lyric poetry": this volume offers both scholars and students an accessible yet comprehensive and insightful overview of the field, bringing together eighteen of the best and most influential essays to be published on lyric poetry over the last four decades.
Ian Rutherford is Professor of Classics at the University of Reading. Educated at Oxford, he has held academic posts in both the UK and USA and beyond, including as a Visiting Fellow at the Institute for the Study of the Ancient World in New York from 2013 to 2014 and at ANAMED (Research Centre for Anatolian Civilisations) in Istanbul in 2017. His research focuses on ancient Greek poetry and religion, cultural contact and comparison between Greece and other ancient cultures, and ancient Anatolia.
Inhaltsangabe
* Frontmatter * List of Abbreviations * 0: Ian Rutherford: Introduction * Part A. General Themes * 1: Claude Calame: Greek Lyric Poetry, a Non-Existent Genre? * 2: Malcolm Davies: Monody, Choral Lyric, and the Tyranny of the Hand-Book * 3: Wolfgang Rösler: Real Persona or Poetic Persona? The Interpretation of the "I" in Ancient Greek Lyric * 4: Gregory Nagy: Genre and Occasion * 5: E. L. Bowie: Early Greek Elegy, Symposium, and Public Festival * 6: Simon Slings: Symposium and Interpretation: Elegy as Group-Song and the So-Called Awakening Individual * 7: Andrew Ford: The Genre of Genres: Paeans and Paian in Early Greek Poetry * Part B. Studies on Specific Poets * 8: E. Robbins: Alcman's Partheneion: Legend and Choral Ceremony * 9: Bernd Seidensticker: Archilochus and Odysseus * 10: Ralph M. Rosen: Hipponax, Boupalos, and the Conventions of the Psogos * 11: Robin Osborne: The Use of Abuse: Semonides 7 * 12: Leslie Kurke: Crisis and Decorum in Sixth-Century Lesbos: Reading Alkaios Otherwise * 13: Andre Lardinois: Keening Sappho: Female Speech Genres in Sappho's Poetry * 14: Anne Burnett: Jocasta in the West: The Lille Stesichorus * 15: Deborah Steiner: Nautical Matters: Hesiod's Nautilia and Ibycus Fragment 282PMG * 16: Giovanni Cerri: The Significance of the "Sphregis" in Theognis and the Safeguarding of Textual Authenticity in Antiquity * 17: Margaret Williamson: Eros the Blacksmith: Performing Masculinity in Anakreon's Love Lyrics * 18: Glenn W. Most: Simonides' Ode to Scopas in Contexts * Endmatter * General Bibliography * Acknowledgements * Index
* Frontmatter * List of Abbreviations * 0: Ian Rutherford: Introduction * Part A. General Themes * 1: Claude Calame: Greek Lyric Poetry, a Non-Existent Genre? * 2: Malcolm Davies: Monody, Choral Lyric, and the Tyranny of the Hand-Book * 3: Wolfgang Rösler: Real Persona or Poetic Persona? The Interpretation of the "I" in Ancient Greek Lyric * 4: Gregory Nagy: Genre and Occasion * 5: E. L. Bowie: Early Greek Elegy, Symposium, and Public Festival * 6: Simon Slings: Symposium and Interpretation: Elegy as Group-Song and the So-Called Awakening Individual * 7: Andrew Ford: The Genre of Genres: Paeans and Paian in Early Greek Poetry * Part B. Studies on Specific Poets * 8: E. Robbins: Alcman's Partheneion: Legend and Choral Ceremony * 9: Bernd Seidensticker: Archilochus and Odysseus * 10: Ralph M. Rosen: Hipponax, Boupalos, and the Conventions of the Psogos * 11: Robin Osborne: The Use of Abuse: Semonides 7 * 12: Leslie Kurke: Crisis and Decorum in Sixth-Century Lesbos: Reading Alkaios Otherwise * 13: Andre Lardinois: Keening Sappho: Female Speech Genres in Sappho's Poetry * 14: Anne Burnett: Jocasta in the West: The Lille Stesichorus * 15: Deborah Steiner: Nautical Matters: Hesiod's Nautilia and Ibycus Fragment 282PMG * 16: Giovanni Cerri: The Significance of the "Sphregis" in Theognis and the Safeguarding of Textual Authenticity in Antiquity * 17: Margaret Williamson: Eros the Blacksmith: Performing Masculinity in Anakreon's Love Lyrics * 18: Glenn W. Most: Simonides' Ode to Scopas in Contexts * Endmatter * General Bibliography * Acknowledgements * Index
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