The concept of musical topics describes the aural cross-references between styles and genres. The Oxford Handbook of Topic Theory grounds this concept in eighteenth-century music theory, aesthetics, and criticism, while also documenting historical reality of individual topics.
The concept of musical topics describes the aural cross-references between styles and genres. The Oxford Handbook of Topic Theory grounds this concept in eighteenth-century music theory, aesthetics, and criticism, while also documenting historical reality of individual topics.
Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.
Inhaltsangabe
* Introduction * Danuta Mirka * Section I. Origins and Distinctions * Chapter 1. Topics and Opera Buffa * Mary Hunter * Chapter 2. Symphonies and the Public Display of Topics * Elaine Sisman * Chapter 3. Topics in Chamber Music * Dean Sutcliffe * Section II. Contexts, Histories, Sources * Chapter 4. Music and Dance in the Ancien Régime * Lawrence Zbikowski * Chapter 5. Ballroom Dances of the Late Eighteenth Century * Eric McKee * Chapter 6. Hunt, Military, and Pastoral Topics * Andrew Haringer * Chapter 7. Turkish and Hungarian-Gypsy Styles * Catherine Mayes * Chapter 8. The Singing Style * Sarah Day-O'Connell * Chapter 9. Fantasia and Sensibility * Matthew Head * Chapter 10. Ombra and Tempesta * Clive McClelland * Chapter 11. Learned Style and Learned Styles * Keith Chapin * Chapter 12. The Brilliant Style * Roman Ivanovitch * Section III. Analysing Topics * Chapter 13. Topics and Meter * Danuta Mirka * Chapter 14. Topics and Harmonic Schemata: A Case from Beethoven * Vasili Byros * Chapter 15. Topics and Formal Functions: The Case of the Lament * William Caplin * Chapter 16. Topics and Tonal Processes * Joel Galand * Chapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i * Kofi Agawu * Chapter 18. Topical Figurae: The Double Articulation of Topics * Stephen Rumph * Chapter 19. The Troping of Topics in Mozart's Instrumental Works * Robert Hatten * Section IV. Performing Topics * Chapter 20. Performing Topics in Mozart's Chamber Music with Piano * John Irving * Chapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures * Tom Beghin * Chapter 22. Eloquent Performance: The Pronuntiatio of Topics * Sheila Guymer * Section V. Listening to Topics * Chapter 23. Amateur Topical Competencies * Melanie Lowe * Chapter 24. Expectation, Musical Topics, and the Problem of Affective Differentiation * Elizabeth Hellmuth Margulis * Chapter 25. Listening to Topics in the Nineteenth Century * Julian Horton
* Introduction * Danuta Mirka * Section I. Origins and Distinctions * Chapter 1. Topics and Opera Buffa * Mary Hunter * Chapter 2. Symphonies and the Public Display of Topics * Elaine Sisman * Chapter 3. Topics in Chamber Music * Dean Sutcliffe * Section II. Contexts, Histories, Sources * Chapter 4. Music and Dance in the Ancien Régime * Lawrence Zbikowski * Chapter 5. Ballroom Dances of the Late Eighteenth Century * Eric McKee * Chapter 6. Hunt, Military, and Pastoral Topics * Andrew Haringer * Chapter 7. Turkish and Hungarian-Gypsy Styles * Catherine Mayes * Chapter 8. The Singing Style * Sarah Day-O'Connell * Chapter 9. Fantasia and Sensibility * Matthew Head * Chapter 10. Ombra and Tempesta * Clive McClelland * Chapter 11. Learned Style and Learned Styles * Keith Chapin * Chapter 12. The Brilliant Style * Roman Ivanovitch * Section III. Analysing Topics * Chapter 13. Topics and Meter * Danuta Mirka * Chapter 14. Topics and Harmonic Schemata: A Case from Beethoven * Vasili Byros * Chapter 15. Topics and Formal Functions: The Case of the Lament * William Caplin * Chapter 16. Topics and Tonal Processes * Joel Galand * Chapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i * Kofi Agawu * Chapter 18. Topical Figurae: The Double Articulation of Topics * Stephen Rumph * Chapter 19. The Troping of Topics in Mozart's Instrumental Works * Robert Hatten * Section IV. Performing Topics * Chapter 20. Performing Topics in Mozart's Chamber Music with Piano * John Irving * Chapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures * Tom Beghin * Chapter 22. Eloquent Performance: The Pronuntiatio of Topics * Sheila Guymer * Section V. Listening to Topics * Chapter 23. Amateur Topical Competencies * Melanie Lowe * Chapter 24. Expectation, Musical Topics, and the Problem of Affective Differentiation * Elizabeth Hellmuth Margulis * Chapter 25. Listening to Topics in the Nineteenth Century * Julian Horton
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