Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre.
Owning Our Voices offers a unique, first-hand account of working within the Wolfsohn-Hart tradition of extended voice work by Margaret Pikes, an acclaimed voice teacher and founder member of the Roy Hart Theatre.
Margaret Pikes is a founding member of the Roy Hart Theatre who trained with Roy Hart and participated in all of the Roy Hart Theatre's early experimental performances. She has been teaching the Wolfsohn-Hart approach to vocal expression internationally for more than 50 years and regularly leads workshops in the UK, France and Germany. Patrick Campbell is Senior Lecturer in Drama and Contemporary Performance at Manchester Metropolitan University. He is a core member of Cross Pollination, an expanded, nomadic laboratory for the dialogue in-between practices, and is Associate Editor of the Brazilian Journal on Presence Studies.
Inhaltsangabe
Introduction Part 1: Why 'Owning Our Voices?' Feminist Approaches to Autobiography - A Preface to Part 1 Chapter 1: Early Life Chapter 2: A Conscious Family: Voice Work at The Studio and Abraxas Club with Roy Hart Chapter 3: The Private Becomes Public Chapter 4: Life after Death: Malérargues Chapter 5: Leaving Malérargues and Growing Independence Chapter 6: Some Reflections Part 2: Methodology Preface to Methodology The Pre-Verbal Voice - A Preface Chapter 7: The Pre-Verbal Voice Freeing the Voice - A Preface Chapter 8: Freeing the Voice The Role of the Teacher - A Preface Chapter 9: The Role of the Teacher Connecting Head to Body - A Preface Chapter 10: Connecting Head to Body - the Importance of Movement Group Work - A Preface Chapter 11: Group Work Working with Song - A Preface Chapter 12: Working with Song Conclusion: Owning Our Voices - A Pluriphony
Introduction Part 1: Why 'Owning Our Voices?' Feminist Approaches to Autobiography - A Preface to Part 1 Chapter 1: Early Life Chapter 2: A Conscious Family: Voice Work at The Studio and Abraxas Club with Roy Hart Chapter 3: The Private Becomes Public Chapter 4: Life after Death: Malérargues Chapter 5: Leaving Malérargues and Growing Independence Chapter 6: Some Reflections Part 2: Methodology Preface to Methodology The Pre-Verbal Voice - A Preface Chapter 7: The Pre-Verbal Voice Freeing the Voice - A Preface Chapter 8: Freeing the Voice The Role of the Teacher - A Preface Chapter 9: The Role of the Teacher Connecting Head to Body - A Preface Chapter 10: Connecting Head to Body - the Importance of Movement Group Work - A Preface Chapter 11: Group Work Working with Song - A Preface Chapter 12: Working with Song Conclusion: Owning Our Voices - A Pluriphony
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