The first book to use adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of Ovid Did you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and…mehr
The first book to use adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of Ovid Did you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance. Lisa S. Starks is Professor of English at University of South Florida St. Petersburg.
Lisa S. Starks is Professor of English at University of South Florida St. Petersburg. She has published essays and edited special issues on Shakespeare, cinema, Ovid, and related topics. Her book publications include Spectacular Shakespeare: Critical Theory and Popular Cinema and The Reel Shakespeare: Alternative Cinema and Theory (coedited with Courtney Lehmann, Fairleigh Dickinson, 2002); and Violence, Trauma, and Virtus in Shakespeare's Roman Poems and Plays: Transforming Ovid (Palgrave, 2014).
Inhaltsangabe
Permissions Acknowledgments Notes on Contributors Introduction: Representing "Ovids" on the Early Modern English Stage - Lisa S. Starks I. Gender/Queer/Trans Studies and Ovidian Rhizomes 1. Queer Gender Informants in Ovid and Shakespeare - Simone Chess 2. Women in Trees: Adapting Ovid for John Lyly's Love's Metamorphosis (1589) - Shannon Kelley 3. Queer Fidelity: Marlowe's Ovid and the Staging of Desire in Dido, Queen of Carthage - Daniel G. Lauby 4. "Let Rome in Tiber melt": Hermaphroditic Transformation in Antonius and Antony and Cleopatra - Deborah Uman II. Ovidian Specters and Remnants 5. Ovid's Ghosts: Lovesickness, Theatricality, and Ovidian Spectrality on the Early Modern English Stage - Lisa S. Starks 6. Medea's Afterlife: Encountering Ovid in The Tempest - John S. Garrison 7. Remnants of Virgil, Ovid, and Paul in Titus Andronicus - Catherine Winiarski III. Affect, Rhetoric, and Ovidian Appropriation 8. Power, Emotion, and Appropriation in Ovid's Tristia and Shakespeare's Henry V - Jennifer Feather 9. Appropriating Ovid's Tyrannical Raptures in Macbeth - John D. Staines 10. Ovid and the Styles of Adaptation in The Two Gentlemen of Verona - Goran Stanivukovic IV. Ovid Remixed: Transmedial, Rhizomatic, and Hyperreal Adaptations 11. "Truly, and very notably discharg'd": The Metamorphosis of Pyramus and Thisbe and the Place of Appropriation on the Early Modern Stage - Louise Geddes 12. The Golden Age Rescored?: Ovid's Metamorphoses and Thomas Heywood's The Ages - Liz Oakley-Brown 13. "Materia conveniente modis": Early Modern Dramatic Adaptations of Ovid - Ed Gieskes 14. Worse than Philomel, Worse than Actaeon: Hyperreal Ovid in Shakespeare's Titus Andronicus - Jim Casey Index
Permissions Acknowledgments Notes on Contributors Introduction: Representing "Ovids" on the Early Modern English Stage - Lisa S. Starks I. Gender/Queer/Trans Studies and Ovidian Rhizomes 1. Queer Gender Informants in Ovid and Shakespeare - Simone Chess 2. Women in Trees: Adapting Ovid for John Lyly's Love's Metamorphosis (1589) - Shannon Kelley 3. Queer Fidelity: Marlowe's Ovid and the Staging of Desire in Dido, Queen of Carthage - Daniel G. Lauby 4. "Let Rome in Tiber melt": Hermaphroditic Transformation in Antonius and Antony and Cleopatra - Deborah Uman II. Ovidian Specters and Remnants 5. Ovid's Ghosts: Lovesickness, Theatricality, and Ovidian Spectrality on the Early Modern English Stage - Lisa S. Starks 6. Medea's Afterlife: Encountering Ovid in The Tempest - John S. Garrison 7. Remnants of Virgil, Ovid, and Paul in Titus Andronicus - Catherine Winiarski III. Affect, Rhetoric, and Ovidian Appropriation 8. Power, Emotion, and Appropriation in Ovid's Tristia and Shakespeare's Henry V - Jennifer Feather 9. Appropriating Ovid's Tyrannical Raptures in Macbeth - John D. Staines 10. Ovid and the Styles of Adaptation in The Two Gentlemen of Verona - Goran Stanivukovic IV. Ovid Remixed: Transmedial, Rhizomatic, and Hyperreal Adaptations 11. "Truly, and very notably discharg'd": The Metamorphosis of Pyramus and Thisbe and the Place of Appropriation on the Early Modern Stage - Louise Geddes 12. The Golden Age Rescored?: Ovid's Metamorphoses and Thomas Heywood's The Ages - Liz Oakley-Brown 13. "Materia conveniente modis": Early Modern Dramatic Adaptations of Ovid - Ed Gieskes 14. Worse than Philomel, Worse than Actaeon: Hyperreal Ovid in Shakespeare's Titus Andronicus - Jim Casey Index
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