Undoubtedly one of Africa's most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. This bookexamines this figure within the context of his career-long preoccupation with the production of culture.
Undoubtedly one of Africa's most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. This bookexamines this figure within the context of his career-long preoccupation with the production of culture.
Produktdetails
Produktdetails
After the Empire: The Francophone World and Postcolonial France
Edited by Lifongo J. Vetinde and Amadou T. Fofana - Contributions by Matthew H. Brown; Cherif Correa; Lyell Davies; Rachel Diang'a; Mouhamedoul A Niang; Augustine Uka Nwanyanwu; Dayna Oscherwitz; Moussa Sow and David Murphy
Inhaltsangabe
Table of Contents Introduction: Cultural Politics in Senegal: A Quest for Relevance, by Lifongo Vetinde Part One: Culture and Development Chapter One: Sembene, Senghor and Competing Notions of Culture and Development at the 1966 Festival Mondial des Arts Nègres de Dakar, by David Murphy Chapter Two: Sembène and the Aesthetics of Senghorian Négritude, by Lifongo Vetinde Chapter Three: Representations of Islam and the question of Identity in Ousmane Sembene's Ceddo, by Cherif Correa Part Two: Discourses Chapter Four: A Twice-Told Tale: The Post-colonial Allegory of La Noire de ...(1966) and Faat Kine (2000), by Dayna Oscherwitz Chapter Five: Bringing the Rain Indoors: Rereading the National Allegory in Ousmane Sembene's Xala, by Mathew H. Brown Chapter Six: Women in Sembène's Films: Spatial Reconfigurations and Cultural Meanings, by Moussa Sow Chapter Seven: Why Does Diouana Die? Facing History, Migration and Trauma in Black Girl, by Lyell Davis Part Three: Language and Aesthetics Chapter Eight: Language, Racial Difference and Dialogic Consciousness: Sembene's God's Bits of Wood, by Augustine Uka Nwanyanwu Chapter Nine: An Onomastic Reading of Ousmane Sembene's Faat Kine, by Mouhamedoul A Niang Chapter Ten: Trans-formal Aesthetics and Cultural Impact on Ousmane Sembene's Xala, by Rachel Diang'a Part Four: Testimonies Makhète Diallo Pathé Diagne Fatoumata Kandé Senghor
Table of Contents Introduction: Cultural Politics in Senegal: A Quest for Relevance, by Lifongo Vetinde Part One: Culture and Development Chapter One: Sembene, Senghor and Competing Notions of Culture and Development at the 1966 Festival Mondial des Arts Nègres de Dakar, by David Murphy Chapter Two: Sembène and the Aesthetics of Senghorian Négritude, by Lifongo Vetinde Chapter Three: Representations of Islam and the question of Identity in Ousmane Sembene's Ceddo, by Cherif Correa Part Two: Discourses Chapter Four: A Twice-Told Tale: The Post-colonial Allegory of La Noire de ...(1966) and Faat Kine (2000), by Dayna Oscherwitz Chapter Five: Bringing the Rain Indoors: Rereading the National Allegory in Ousmane Sembene's Xala, by Mathew H. Brown Chapter Six: Women in Sembène's Films: Spatial Reconfigurations and Cultural Meanings, by Moussa Sow Chapter Seven: Why Does Diouana Die? Facing History, Migration and Trauma in Black Girl, by Lyell Davis Part Three: Language and Aesthetics Chapter Eight: Language, Racial Difference and Dialogic Consciousness: Sembene's God's Bits of Wood, by Augustine Uka Nwanyanwu Chapter Nine: An Onomastic Reading of Ousmane Sembene's Faat Kine, by Mouhamedoul A Niang Chapter Ten: Trans-formal Aesthetics and Cultural Impact on Ousmane Sembene's Xala, by Rachel Diang'a Part Four: Testimonies Makhète Diallo Pathé Diagne Fatoumata Kandé Senghor
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