Opera Coaching: Professional Techniques for the Répétiteur, Second Edition, is an update to the first practical guide for opera coaches when working with opera singers to help them meet the physical and vocal demands of a score in order to shape a performance.
Opera Coaching: Professional Techniques for the Répétiteur, Second Edition, is an update to the first practical guide for opera coaches when working with opera singers to help them meet the physical and vocal demands of a score in order to shape a performance.
Alan Montgomery was the Assistant Music Director of the Oberlin Opera Theater for thirty-three years. He has coached a plethora of major singers, such as Denyce Graves, Derrick Lee Ragin, Daniel Okulitch, Todd Thomas, Limmie Pulliam, Edward Parks, and Elizabeth de Shong.
Inhaltsangabe
Part I: Techniques Chapter 1: Auditions Chapter 2: Knowing the Score Chapter 3: Recitatives Chapter 4: Planning Coaching Sessions and Playing for Staging Rehearsals Chapter 5: Following a Conductor Chapter 6: The Stage Director's Perspective by Victoria Vaughan Part II: Considerations Chapter 7: Baroque Operas Chapter 8: Mozart and Classical Song Chapter 9: Bel Canto Chapter 10: Verdi Chapter 11: French Opera Chapter 12: Mussorgsky, Tchaikovsky, and the Five Chapter 13: Richard Wagner, Richard Strauss, and the German School Chapter 14: Puccini and the Verismo School Chapter 15: Operettas Chapter 16: Benjamin Britten and Other Modern Composers Chapter 17: Looking to the New Demands in the Twenty- First Century Chapter 18: Ensembles Large and Small Chapter 19: Conclusions Appendix A: A List of Vocal Fachs and Their Roles Appendix B: Notable and Recommended Editions Appendix C: Favorite Catch Phrases and Buzzwords
Part I: Techniques Chapter 1: Auditions Chapter 2: Knowing the Score Chapter 3: Recitatives Chapter 4: Planning Coaching Sessions and Playing for Staging Rehearsals Chapter 5: Following a Conductor Chapter 6: The Stage Director's Perspective by Victoria Vaughan Part II: Considerations Chapter 7: Baroque Operas Chapter 8: Mozart and Classical Song Chapter 9: Bel Canto Chapter 10: Verdi Chapter 11: French Opera Chapter 12: Mussorgsky, Tchaikovsky, and the Five Chapter 13: Richard Wagner, Richard Strauss, and the German School Chapter 14: Puccini and the Verismo School Chapter 15: Operettas Chapter 16: Benjamin Britten and Other Modern Composers Chapter 17: Looking to the New Demands in the Twenty- First Century Chapter 18: Ensembles Large and Small Chapter 19: Conclusions Appendix A: A List of Vocal Fachs and Their Roles Appendix B: Notable and Recommended Editions Appendix C: Favorite Catch Phrases and Buzzwords
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