What made the San Diego Comic-Con a Hollywood destination? How does the industry's presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more.
What made the San Diego Comic-Con a Hollywood destination? How does the industry's presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more.
ERIN HANNA is an assistant professor of cinema studies at the University of Oregon in Eugene.
Inhaltsangabe
Contents Introduction: The San Diego Comic-Con and the Limits of Exclusivity 1 Origin Stories: Comic-Con and the Future of All Media
2 The Liminality of the Line and the Place of Fans at Comic-Con 3 Manufacturing “Hall H Hysteria:” Hollywood and Comic-Con 4 Ret(ail)con: From Dealers’ Room to Exhibit Hall Conclusion: From Franchise Wars to Fry Fans: Comic-Con Anywhere Acknowledgments Notes Bibliography Index
Contents Introduction: The San Diego Comic-Con and the Limits of Exclusivity 1 Origin Stories: Comic-Con and the Future of All Media
2 The Liminality of the Line and the Place of Fans at Comic-Con 3 Manufacturing “Hall H Hysteria:” Hollywood and Comic-Con 4 Ret(ail)con: From Dealers’ Room to Exhibit Hall Conclusion: From Franchise Wars to Fry Fans: Comic-Con Anywhere Acknowledgments Notes Bibliography Index
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