Martin Porr is Associate Professor of Archaeology at the University of Western Australia. Niels Weidtmann, philosophy, is Director of the College of Fellows - Center for Interdisciplinary and Intercultural Studies at Eberhard-Karls Universität Tübingen, Germany.
Inhaltsangabe
Part I - Introduction Tim Ingold - biographical and research overview Martin Porr, Niels Weidtmann, and Tim Ingold 1 Being alive and educating attention: The persistent value of the work of Tim Ingold Martin Porr and Niels Weidtmann Part II - Knowing, perceiving, and attending 2 Introduction: Knowing, perceiving, and attending Niels Weidtmann and Martin Porr 3 Anthropology with Tim Ingold and friends Stephanie Bunn 4 Artworks at a threshold: Thinking with Tim Ingold about art gallery technicians Laura Harris 5 In the slipstream of participation: Attention and intention in anthropological fieldwork Anna Bloom-Christen 6 Historicising creativity: An interdisciplinary perspective between the social and natural sciences Dylan Gaffney and Leor Zmigrod Part III - Anthropology and/as attention 7 Introduction: Anthropology and/as attention Niels Weidtmann and Martin Porr 8 Experiences from within: Contributions of outdoor education to anthropology Melanie Greiner 9 Decolonising anthropology and/as education? Antony Pattathu Part IV - The life of lines, dwelling and growing 10 Introduction: The life of lines, dwelling and growing Martin Porr and Niels Weidtmann 11 Making (of) ecology. Philosophical perspectives on Tim Ingold Ralf Gisinger 12 Making and growing: The lives and deaths of a tree and a house in the Spanish dehesa Maike Melles 13 Living along infrastructural lines: Following electricity in Hunza Quirin Rieder Part V - Art beyond the image 14 Introduction: Art beyond the image Martin Porr and Niels Weidtmann 15 'Dwelling' with Siberian rock art Irina A. Ponomareva 16 Rock art conservation and living heritage: Performance and the transformation of 'paintings' in rock art Ana Paula Motta 17 Many ways to see yams: An ecological analysis of Yam Figures in the Aboriginal rock art of Balanggarra Country, Northeast Kimberley, Western Australia Emily Grey and Balanggarra Aboriginal Corporation 18 Ontological reversals, correspondences, and archaeological 'arts of noticing' Benjamin Alberti Part VI - Conclusion 19 Let the world teach! Some closing reflections Tim Ingold
Part I - Introduction Tim Ingold - biographical and research overview Martin Porr, Niels Weidtmann, and Tim Ingold 1 Being alive and educating attention: The persistent value of the work of Tim Ingold Martin Porr and Niels Weidtmann Part II - Knowing, perceiving, and attending 2 Introduction: Knowing, perceiving, and attending Niels Weidtmann and Martin Porr 3 Anthropology with Tim Ingold and friends Stephanie Bunn 4 Artworks at a threshold: Thinking with Tim Ingold about art gallery technicians Laura Harris 5 In the slipstream of participation: Attention and intention in anthropological fieldwork Anna Bloom-Christen 6 Historicising creativity: An interdisciplinary perspective between the social and natural sciences Dylan Gaffney and Leor Zmigrod Part III - Anthropology and/as attention 7 Introduction: Anthropology and/as attention Niels Weidtmann and Martin Porr 8 Experiences from within: Contributions of outdoor education to anthropology Melanie Greiner 9 Decolonising anthropology and/as education? Antony Pattathu Part IV - The life of lines, dwelling and growing 10 Introduction: The life of lines, dwelling and growing Martin Porr and Niels Weidtmann 11 Making (of) ecology. Philosophical perspectives on Tim Ingold Ralf Gisinger 12 Making and growing: The lives and deaths of a tree and a house in the Spanish dehesa Maike Melles 13 Living along infrastructural lines: Following electricity in Hunza Quirin Rieder Part V - Art beyond the image 14 Introduction: Art beyond the image Martin Porr and Niels Weidtmann 15 'Dwelling' with Siberian rock art Irina A. Ponomareva 16 Rock art conservation and living heritage: Performance and the transformation of 'paintings' in rock art Ana Paula Motta 17 Many ways to see yams: An ecological analysis of Yam Figures in the Aboriginal rock art of Balanggarra Country, Northeast Kimberley, Western Australia Emily Grey and Balanggarra Aboriginal Corporation 18 Ontological reversals, correspondences, and archaeological 'arts of noticing' Benjamin Alberti Part VI - Conclusion 19 Let the world teach! Some closing reflections Tim Ingold
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