Why do pictures seem so immediate? What makes a picture realistic or not? John Kulvicki claims that what makes pictures special is not how we perceive them, but how they relate to one another. This not only provides some new answers to old questions, but it shows that there are many more kinds of pictures out there than many have thought.
Why do pictures seem so immediate? What makes a picture realistic or not? John Kulvicki claims that what makes pictures special is not how we perceive them, but how they relate to one another. This not only provides some new answers to old questions, but it shows that there are many more kinds of pictures out there than many have thought.
John V. Kulvicki is Assistant Professor of Philosophy at Dartmouth College, New Hampshire
Inhaltsangabe
Introduction: Alberti's Window, Leonardo's Mirror, and van Gogh's Room Part One: Image Structure 1: Goodman's Progress 2: Repleteness, Sensitivity, and Richness 3: Transparency 4: Mimesis 5: Other Visibilia and Other Media Part Two: Image Content 6: Bare Bones Content 7: Understanding Commitments 8: Sense Data and Bare Bones Content 9: Fleshing-out and Seeing-in 10: Perceiving Pictures Part Three: Realism and Variety 11: Verity 12: Information, Imitation, and Inculcation
Introduction: Alberti's Window, Leonardo's Mirror, and van Gogh's Room Part One: Image Structure 1: Goodman's Progress 2: Repleteness, Sensitivity, and Richness 3: Transparency 4: Mimesis 5: Other Visibilia and Other Media Part Two: Image Content 6: Bare Bones Content 7: Understanding Commitments 8: Sense Data and Bare Bones Content 9: Fleshing-out and Seeing-in 10: Perceiving Pictures Part Three: Realism and Variety 11: Verity 12: Information, Imitation, and Inculcation
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