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This volume of collected essays brings together for the first time the range of Winter s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield history in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context.…mehr

Produktbeschreibung
This volume of collected essays brings together for the first time the range of Winter s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield history in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context.
Autorenporträt
IRENE J. WINTER, Ph.D. (1973), Columbia University, New York, is William Dorr Boardman Professor, Department of History of Art and Architecture, Harvard University. Her first degree was in Anthropology (Barnard College); her MA in Near Eastern Studies (University of Chicago), her PhD in Art History and Archaeology. Not surprisingly, her extensive publications have tended to be inter-disciplinary in nature.