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Advancing his own conception of the "figure," Andrew Benjamin innovatively studies philosophy, the history of painting, and art's representation of Jews and animals. As Benjamin makes clear, the "other" is never an abstract concept. The means by which the ethical imperative, arising from the way in which the history of philosophy and the history of art are constructed, conditions us to respond to an already identified, though unacknowledged, determinant other. This is the first book to combine reflections on animals and Jews, engaging with philosophers such as Derrida and Agamben and offering…mehr

Produktbeschreibung
Advancing his own conception of the "figure," Andrew Benjamin innovatively studies philosophy, the history of painting, and art's representation of Jews and animals. As Benjamin makes clear, the "other" is never an abstract concept. The means by which the ethical imperative, arising from the way in which the history of philosophy and the history of art are constructed, conditions us to respond to an already identified, though unacknowledged, determinant other. This is the first book to combine reflections on animals and Jews, engaging with philosophers such as Derrida and Agamben and offering original readings of paintings and art by Goya, D?rer, Rubens Van Eyck, Velasquez, and Turner.
The Frontiers of Theory Series Editor: Martin McQuillan This series brings together internationally respected figures to comment on and re-describe the state of theory in the twenty-first century. It takes stock of an ever-expanding field of knowledge and opens up possible new modes of inquiry within it, identifying new theoretical pathways, innovative thinking and productive motifs. Of Jews and Animals Andrew Benjamin A philosophical concern with animals has played a central role within contemporary philosophical discussions since Peter Singer's work in the 1980s. However, recently within the area of Continental Philosophy the question of the animal has become an important area of academic inquiry. In addition, work on the figure of the Jew has for years been an area of scholarly investigation. By developing his own conception of the 'figure' Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals. As Benjamin makes clear the 'Other' is never abstract. He underscores the means by which the ethical imperative, arising from the way the history of philosophy and the history of art are constructed, shows us how to respond to an already identified, even if unacknowledged, determinant other. Andrew Benjamin is Professor of Critical Theory and Philosophical Aesthetics and Director of the Research Unit in European Philosophy in the Faculty of Arts at Monash University. His most recent books are Writing Art and Architecture (re:press Books, 2009) and Style and Time: Essays on the Politics of Appearance (Northwestern University Press, 2006).
Autorenporträt
Andrew Benjamin is Professor of Philosophy and Jewish Thought at Monash University where he is a member of both the Department of Philosophy and the Australian Centre for Jewish Civilisation. He also holds the positions of Distinguished Anniversary Professor of Philosophy and the Humanities at Kingston University in London and Distinguished Professor of Architectural Theory at the University of Technology Sydney.