Of Dogs and Other People - Landauer, Susan
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"Roy De Forest's brightly colored, crazy-quilted jungles dotted with nipples of paint and inhabited by a cast of characters uniquely his own (a perennial favorite being his wild-eyed, pointy-eared dogs) appeal to a broad spectrum of viewers from young to old, from the casual visitor to the most sophisticated art aficionado. OMCA's project aims to reassess De Forest's art-historical position, placing him in a national rather than solely regional/West Coast context. Landauer positions De Forest as part of a bicoastal alternative current of American art that has been poorly documented and…mehr

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Produktbeschreibung
"Roy De Forest's brightly colored, crazy-quilted jungles dotted with nipples of paint and inhabited by a cast of characters uniquely his own (a perennial favorite being his wild-eyed, pointy-eared dogs) appeal to a broad spectrum of viewers from young to old, from the casual visitor to the most sophisticated art aficionado. OMCA's project aims to reassess De Forest's art-historical position, placing him in a national rather than solely regional/West Coast context. Landauer positions De Forest as part of a bicoastal alternative current of American art that has been poorly documented and deliberately ran counter to better publicized tendencies of the 1960s and 1970s, notably Pop, Minimalism, and post-painterly abstraction. Despite the playfulness of his work, close study of De Forest's art reveals deep layers of meaning. He was a fan of popular science fiction and adventure stories, but he was also well versed in Australian aboriginal art, ukiyo-e prints, poetry, literature, and the history of philosophy. He enjoyed secreting obscure art-historical references into his work: animals might assume postures found in Medieval or Renaissance art, or a drawing that appears to depict a comic-book character may in fact refer to Titian's triple-headed allegory of Prudence. This engaging publication presents gorgeous color reproductions of 150 of De Forest's finest artworks, plus a variety of figure illustrations that illuminate the artist's diverse sources and freewheeling social and creative milieu in Northern California."--Provided by publisher.
Autorenporträt
Susan Landauer holds a Ph.D. from Yale University and is an independent curator and writer based in the San Francisco Bay Area. She was chief curator of the San Jose Museum of Art from 1999 to 2009 and is the author and coauthor of many books and exhibition catalogues, including The San Francisco School of Abstract Expressionism; California Impressionists; The Lighter Side of Bay Area Figuration; Elmer Bischoff: The Ethics of Paint; Dream Games: The Art of Robert Schwartz; The Not-so-Still Life: A Century of California Painting and Sculpture; Tragic Kingdom: The Art of Camille Rose Garcia; Todd Schorr: American Surreal; John Paul Jones: The Pursuit of Beauty's Perfect Proof; Richard Diebenkorn: The Ocean Park Series; Hassel Smith: Paintings, 1937-1997; Yosemite: A Storied Landscape; and Women of Abstract Expressionism and has contributed essays to Richard Diebenkorn: The Ocean Park Series; Yosemite: A Storied Landscape: and Women of Abstract Expressionism.