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David A. Ledet, Professor Emeritus of Music at the University of Georgia, is co-author of The Art of Oboe Playing.
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David A. Ledet, Professor Emeritus of Music at the University of Georgia, is co-author of The Art of Oboe Playing.
Produktdetails
- Produktdetails
- Verlag: Indiana University Press
- Seitenzahl: 224
- Erscheinungstermin: 22. Mai 2000
- Englisch
- Abmessung: 208mm x 140mm x 17mm
- Gewicht: 290g
- ISBN-13: 9780253213921
- ISBN-10: 0253213924
- Artikelnr.: 23893283
- Verlag: Indiana University Press
- Seitenzahl: 224
- Erscheinungstermin: 22. Mai 2000
- Englisch
- Abmessung: 208mm x 140mm x 17mm
- Gewicht: 290g
- ISBN-13: 9780253213921
- ISBN-10: 0253213924
- Artikelnr.: 23893283
David A. Ledet, Professor Emeritus of Music at the University of Georgia, is co-author of The Art of Oboe Playing.
Contents List of Tables Foreword by Richard Killmer Acknowledgments Introduction Part I: Tone Production 1. Respiration The Muscles Involved in Respiration The Mechanics of Respiration Inspiration Expiration The Open Throat The Effect of Correct Respiration and the Open Throat on Timbre
Embouchure
and ReedsHow to Teach Correct Respiration 2. Articulation Articulation Related to Timbre 3. The Embouchure The Functions of the Embouchure The Effect of Embouchure on Timbre 4. The Instrument Historical Background The Acoustics of the Oboe Timbre 5. The Acoustics of the Room 6. The Listener Sociological Acceptance of Styles of Playing Part II: Oboe Reeds 7. Reeds of Individual Oboists Australia (Tancibudek
Woolley) Austria (Kamesch
Kautzky
Lardrot
Raab) Czechoslovakia (Duchon
Hanták) Denmark (Wolsing) England (Baker
Brierly
Craxton
Graeme
Jones
Lord
MacDonagh
Newbury
Rothwell
Sutcliffe
Tait
Wickens) Finland (Sipila) France (Bajeux
Bleuzet
Chevalet
Claro) Germany (Eggers
Fischer
Kalmus
Schlövogt
Töttcher) Holland (Houttuin
Pels
Stotijn) Italy (Riedmiller
de Sanctis
Tomassini) New Zealand (Booth) Russia (Anonymous
Petrov) Switzerland (Parolari) United States (Angelucci
Arner
Barthel
Bloom
Bowman
de Busscher
Caldwell
Covington
Dandois
Duvoir
Gassman
Gatwood
Gillet
H. Gomberg
R. Gomberg
Harrison
Kirchner
Krilov
Lifschey
Mack
Mariotti
Memoli
Mueller
Rathbun
Remington
Renzi
Rizzo
Robinson
Roseman
Russell
Schoneberg
Shulman
Sprenkle
Stannard
Still
Tabuteau
Tustin
de Vergie
Weaver
Woodhams) 8. A Delineation of Reed Styles The French-Style Reed The American-Style Reed The English-Style Reed The Dutch-Style Reed The Viennese-Style Reed A Borderline Style (German) 9. Summary and Conclusions Notes Bibliography
Embouchure
and ReedsHow to Teach Correct Respiration 2. Articulation Articulation Related to Timbre 3. The Embouchure The Functions of the Embouchure The Effect of Embouchure on Timbre 4. The Instrument Historical Background The Acoustics of the Oboe Timbre 5. The Acoustics of the Room 6. The Listener Sociological Acceptance of Styles of Playing Part II: Oboe Reeds 7. Reeds of Individual Oboists Australia (Tancibudek
Woolley) Austria (Kamesch
Kautzky
Lardrot
Raab) Czechoslovakia (Duchon
Hanták) Denmark (Wolsing) England (Baker
Brierly
Craxton
Graeme
Jones
Lord
MacDonagh
Newbury
Rothwell
Sutcliffe
Tait
Wickens) Finland (Sipila) France (Bajeux
Bleuzet
Chevalet
Claro) Germany (Eggers
Fischer
Kalmus
Schlövogt
Töttcher) Holland (Houttuin
Pels
Stotijn) Italy (Riedmiller
de Sanctis
Tomassini) New Zealand (Booth) Russia (Anonymous
Petrov) Switzerland (Parolari) United States (Angelucci
Arner
Barthel
Bloom
Bowman
de Busscher
Caldwell
Covington
Dandois
Duvoir
Gassman
Gatwood
Gillet
H. Gomberg
R. Gomberg
Harrison
Kirchner
Krilov
Lifschey
Mack
Mariotti
Memoli
Mueller
Rathbun
Remington
Renzi
Rizzo
Robinson
Roseman
Russell
Schoneberg
Shulman
Sprenkle
Stannard
Still
Tabuteau
Tustin
de Vergie
Weaver
Woodhams) 8. A Delineation of Reed Styles The French-Style Reed The American-Style Reed The English-Style Reed The Dutch-Style Reed The Viennese-Style Reed A Borderline Style (German) 9. Summary and Conclusions Notes Bibliography
Contents List of Tables Foreword by Richard Killmer Acknowledgments Introduction Part I: Tone Production 1. Respiration The Muscles Involved in Respiration The Mechanics of Respiration Inspiration Expiration The Open Throat The Effect of Correct Respiration and the Open Throat on Timbre
Embouchure
and ReedsHow to Teach Correct Respiration 2. Articulation Articulation Related to Timbre 3. The Embouchure The Functions of the Embouchure The Effect of Embouchure on Timbre 4. The Instrument Historical Background The Acoustics of the Oboe Timbre 5. The Acoustics of the Room 6. The Listener Sociological Acceptance of Styles of Playing Part II: Oboe Reeds 7. Reeds of Individual Oboists Australia (Tancibudek
Woolley) Austria (Kamesch
Kautzky
Lardrot
Raab) Czechoslovakia (Duchon
Hanták) Denmark (Wolsing) England (Baker
Brierly
Craxton
Graeme
Jones
Lord
MacDonagh
Newbury
Rothwell
Sutcliffe
Tait
Wickens) Finland (Sipila) France (Bajeux
Bleuzet
Chevalet
Claro) Germany (Eggers
Fischer
Kalmus
Schlövogt
Töttcher) Holland (Houttuin
Pels
Stotijn) Italy (Riedmiller
de Sanctis
Tomassini) New Zealand (Booth) Russia (Anonymous
Petrov) Switzerland (Parolari) United States (Angelucci
Arner
Barthel
Bloom
Bowman
de Busscher
Caldwell
Covington
Dandois
Duvoir
Gassman
Gatwood
Gillet
H. Gomberg
R. Gomberg
Harrison
Kirchner
Krilov
Lifschey
Mack
Mariotti
Memoli
Mueller
Rathbun
Remington
Renzi
Rizzo
Robinson
Roseman
Russell
Schoneberg
Shulman
Sprenkle
Stannard
Still
Tabuteau
Tustin
de Vergie
Weaver
Woodhams) 8. A Delineation of Reed Styles The French-Style Reed The American-Style Reed The English-Style Reed The Dutch-Style Reed The Viennese-Style Reed A Borderline Style (German) 9. Summary and Conclusions Notes Bibliography
Embouchure
and ReedsHow to Teach Correct Respiration 2. Articulation Articulation Related to Timbre 3. The Embouchure The Functions of the Embouchure The Effect of Embouchure on Timbre 4. The Instrument Historical Background The Acoustics of the Oboe Timbre 5. The Acoustics of the Room 6. The Listener Sociological Acceptance of Styles of Playing Part II: Oboe Reeds 7. Reeds of Individual Oboists Australia (Tancibudek
Woolley) Austria (Kamesch
Kautzky
Lardrot
Raab) Czechoslovakia (Duchon
Hanták) Denmark (Wolsing) England (Baker
Brierly
Craxton
Graeme
Jones
Lord
MacDonagh
Newbury
Rothwell
Sutcliffe
Tait
Wickens) Finland (Sipila) France (Bajeux
Bleuzet
Chevalet
Claro) Germany (Eggers
Fischer
Kalmus
Schlövogt
Töttcher) Holland (Houttuin
Pels
Stotijn) Italy (Riedmiller
de Sanctis
Tomassini) New Zealand (Booth) Russia (Anonymous
Petrov) Switzerland (Parolari) United States (Angelucci
Arner
Barthel
Bloom
Bowman
de Busscher
Caldwell
Covington
Dandois
Duvoir
Gassman
Gatwood
Gillet
H. Gomberg
R. Gomberg
Harrison
Kirchner
Krilov
Lifschey
Mack
Mariotti
Memoli
Mueller
Rathbun
Remington
Renzi
Rizzo
Robinson
Roseman
Russell
Schoneberg
Shulman
Sprenkle
Stannard
Still
Tabuteau
Tustin
de Vergie
Weaver
Woodhams) 8. A Delineation of Reed Styles The French-Style Reed The American-Style Reed The English-Style Reed The Dutch-Style Reed The Viennese-Style Reed A Borderline Style (German) 9. Summary and Conclusions Notes Bibliography