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Nordic Orientalism explores the appropriation of oriental imagery within Danish and Norwegian nineteenth-century nation-building. The project queries Edward Said's binary notion of orientalism and posits a more complex model describing how European countries on the peripheryDenmark and Norwayimported oriental imagery from France to position themselves, not against their colonial other, but in relation to central European nations. In examining Nordic orientalism across a century in the context of modernization, urbanization and democratization, this study furthermore shows how the Romanticists' naive treatment of the Orient was challenged by increased contact with the "real" Orient.