The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms.
The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms.
Libby Saxton is Reader in Film Studies at Queen Mary, University of London. She is author of Haunted Images: Film, Ethics, Testimony and the Holocaust (Wallflower, 2008), co-author of Film and Ethics: Foreclosed Encounters (Routledge, 2010) and co-editor of Holocaust Intersections: Genocide and Visual Culture at the New Millennium (Legenda: 2013). She is writing a book on iconic images, photography and cinema.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction Chapter 1. Paper, Water, Ice: The Falling Soldier Chapter 2. The Double Life of the Gestapo Informer Chapter 3. Apocalyptic Stillness: The Self-Immolators Chapter 4. The Face of the Crowd: Che Chapter 5. Film Frame, Film Still, Star Portrait: The Marianne of '68 Conclusion Epilogue. Protesting Women Bibliography Filmography
List of Illustrations Acknowledgements Introduction Chapter 1. Paper, Water, Ice: The Falling Soldier Chapter 2. The Double Life of the Gestapo Informer Chapter 3. Apocalyptic Stillness: The Self-Immolators Chapter 4. The Face of the Crowd: Che Chapter 5. Film Frame, Film Still, Star Portrait: The Marianne of '68 Conclusion Epilogue. Protesting Women Bibliography Filmography
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