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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute…mehr

Produktbeschreibung
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Autorenporträt
Harry Paulton was a playwright of the Victorian era who is best known for his work 'Niobe, All Smiles', a production that showcased his flair for combining humor with elements of the fantastic. Paulton's writing was characterized by its wit and the manner in which it capitalized on the theatrical conventions of his time. Though not as widely remembered as some of his contemporaries, Paulton's contributions to theatre during the late 19th century demonstrated his adeptness at crafting plays that appealed to the sensibilities of his audience. By infusing his work with lightheartedness and whimsy, he secured a place for himself in the entertainment of the period, which was marked by a general shift towards more escapist and spectacle-oriented productions. 'Niobe, All Smiles' exemplified this trend, blending together the comedic and the surreal, and it was received with considerable acclaim, further cementing Paulton's reputation as a talented playwright. However, his name has not been as prominent in literary circles, resulting in a more niche following among scholars and enthusiasts of Victorian theatre. Despite this, his influence was felt in the ways he navigated the transition between traditional stagecraft and the emerging preference for a more visual and dynamic form of storytelling.