It explores the complex of ways in which Ngugi wa Thiong'o wrestles with issues of nationalism and ethnicity through his politically subversive and creatively intense literary texts.
It explores the complex of ways in which Ngugi wa Thiong'o wrestles with issues of nationalism and ethnicity through his politically subversive and creatively intense literary texts.
Amitayu Chakraborty works as Assistant Professor of English at Durgapur Women's College. He did his PhD from Visva- Bharati in 2017. His doctoral dissertation was on Ngugi wa Thiong'o. He has a keen interest in postcolonial studies.
Inhaltsangabe
Introduction Section One: Why Ngugi wa Thiong'o (Again!)? Section Two: Conceptualising "Nationalism" and "Ethnicity" Section Three: Nation- Building, Political Tribalism, and Moral Ethnicity in Kenya/Africa Section Four: About the Book 1 The Phase of Anxiety (1950s- 1960s) Section One: Gendered Anxieties in The Black Hermit Section Two: Clitoridectomal Anxieties in The River Between Section Three: Anxieties, Conflicts, and Violence in Weep Not, Child 2 The Phase of Polemics (1960s- 1970s) Section One: Nationalism, Ethnicity, and the Trials of the Unheroic in A Grain of Wheat Section Two: Moral Ethnicity and Marxist Revolution in Petals of Blood Section Three: Marxism and Mythopoeia in The Trial of Dedan Kimathi 3 The Phase of Defiance (1970s onwards) Section One: Subaltern Self- Mastery and Dialogic Resistance in I Will Marry When I Want Section Two: Myth, Ethnicity, and Plurality in Devil on the Cross and Matigari Section Three: Globalectic Defiance in Wizard of the Crow Conclusion The Outcome: A Pursuit of Globalectics
Introduction Section One: Why Ngugi wa Thiong'o (Again!)? Section Two: Conceptualising "Nationalism" and "Ethnicity" Section Three: Nation- Building, Political Tribalism, and Moral Ethnicity in Kenya/Africa Section Four: About the Book 1 The Phase of Anxiety (1950s- 1960s) Section One: Gendered Anxieties in The Black Hermit Section Two: Clitoridectomal Anxieties in The River Between Section Three: Anxieties, Conflicts, and Violence in Weep Not, Child 2 The Phase of Polemics (1960s- 1970s) Section One: Nationalism, Ethnicity, and the Trials of the Unheroic in A Grain of Wheat Section Two: Moral Ethnicity and Marxist Revolution in Petals of Blood Section Three: Marxism and Mythopoeia in The Trial of Dedan Kimathi 3 The Phase of Defiance (1970s onwards) Section One: Subaltern Self- Mastery and Dialogic Resistance in I Will Marry When I Want Section Two: Myth, Ethnicity, and Plurality in Devil on the Cross and Matigari Section Three: Globalectic Defiance in Wizard of the Crow Conclusion The Outcome: A Pursuit of Globalectics
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![Female characters in Ngugi wa Thiong'o¿s "e;A Grain of Wheat"e; and Tsitsi Dangarembga`s "e;Nervous Conditions"e;](https://bilder.buecher.de/produkte/56/56161/56161217n.jpg "Female characters in Ngugi wa Thiong'o¿s "e;A Grain of Wheat"e; and Tsitsi Dangarembga`s "e;Nervous Conditions"e;")
