First comparative study of urban fiction in the US and Canada investigates representations of the urban after postmodernism in two New York and two Toronto novels.
First comparative study of urban fiction in the US and Canada investigates representations of the urban after postmodernism in two New York and two Toronto novels.
Introduction Imagining National Space: Symbolic Landscapes andNational Canons Articulating Urban Space: Spatial Politics and Difference "The Inadequacy of Symbolic Surfaces": Urban Space, Art,and Corporeality in Siri Hustvedt's What I Loved Rewriting the Melting Pot: Paule Marshall's BrownstoneCity in The Fisher King Specular Images: Sub/Urban Spaces and "Echoes of Art"in Carol Shields's Unless "The End of Traceable Beginnings": Poetics of UrbanLonging and Belonging in Dionne Brand's What We AllLong For Synthesis Bibliography Index
Introduction Imagining National Space: Symbolic Landscapes andNational Canons Articulating Urban Space: Spatial Politics and Difference "The Inadequacy of Symbolic Surfaces": Urban Space, Art,and Corporeality in Siri Hustvedt's What I Loved Rewriting the Melting Pot: Paule Marshall's BrownstoneCity in The Fisher King Specular Images: Sub/Urban Spaces and "Echoes of Art"in Carol Shields's Unless "The End of Traceable Beginnings": Poetics of UrbanLonging and Belonging in Dionne Brand's What We AllLong For Synthesis Bibliography Index
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