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Since the early 1980s, there has been a dramatic increase in the number of international gay/lesbian-themed visual productions, ranging from pornographic images and television programmes to advertising and graphic novels. Often originating from countries with a multicultural tradition (most notably Great Britain and the United States), this cultural phenomenon has now reached many territories, including the French-speaking world.
What are the thematic and aesthetic convergences/divergences of such visual productions? Do such works develop problematics and approaches specific to areas such as metropolitan France or French-speaking Canada? The eleven essays included in this collection (two in English and nine in French) aim to answer these questions by offering in-depth and challenging discussions of various queer-themed visual productions made in a contemporary Francophone context. Each contribution focuses on specific case studies drawn from auteur , pornographic and experimental cinemas, as well as those based on analyses of images from television, printed media and contemporary art.
What are the thematic and aesthetic convergences/divergences of such visual productions? Do such works develop problematics and approaches specific to areas such as metropolitan France or French-speaking Canada? The eleven essays included in this collection (two in English and nine in French) aim to answer these questions by offering in-depth and challenging discussions of various queer-themed visual productions made in a contemporary Francophone context. Each contribution focuses on specific case studies drawn from auteur , pornographic and experimental cinemas, as well as those based on analyses of images from television, printed media and contemporary art.