New Photography 1984-2012 - Fischer, Roland
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Roland Fischer's work occupies an important position in the art of the end of the twentieth and the beginning of the twenty-first centuries. He was one of the first to project the art of photography into a monumental format - and thus invest it with a new pictoriality. His subjects are humanity and the places where it exists. Today, Roland Fischer has established his presence all over our globalized world. It is not only his studios in Munich and Beijing, but also his galleries in the US and Europe, that make this clear. The exhibition in the Saarland.Museum (www.Saarland.Museum.de) assembles…mehr

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Roland Fischer's work occupies an important position in the art of the end of the twentieth and the beginning of the twenty-first centuries. He was one of the first to project the art of photography into a monumental format - and thus invest it with a new pictoriality. His subjects are humanity and the places where it exists. Today, Roland Fischer has established his presence all over our globalized world. It is not only his studios in Munich and Beijing, but also his galleries in the US and Europe, that make this clear. The exhibition in the Saarland.Museum (www.Saarland.Museum.de) assembles an extensive and important body of work, which also deals with the subject of the globalized nature of our civilisation.The Saarland.Museum is presenting the largest Roland Fiscvher retrospective shown by any museum to date.