In combining close comparative analyses with a review of the changing models of production, editing, actorship and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.
In combining close comparative analyses with a review of the changing models of production, editing, actorship and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.
Jens Andermann is Professor of Latin American and Luso-Brazilian Studies at Birkbeck College, University of London and an editor of the Journal of Latin American Cultural Studies. He has published widely on Latin American visual, literary and material culture, including the books The Optic of the State: Visuality and Power in Argentina and Brazil (2007) and Mapas de poder: Una arqueologia literaria del espacio argentino (2000).
Inhaltsangabe
Contents Acknowledgements Introduction Chapter 1 Transitions: How Argentine Film Survived the Nineties Chapter 2 Locating Crisis: Compositions of the Urban Chapter 3 Margins of Realism: Exploring the Contemporary Landscape Chapter 4 Perforated Presence: the Documentary Between the Self and the Scene Chapter 5 Embodiments: Genre and Performance Chapter 6 Accidents and Miracles: Film and the Experience of History Filmography Index
Contents Acknowledgements Introduction Chapter 1 Transitions: How Argentine Film Survived the Nineties Chapter 2 Locating Crisis: Compositions of the Urban Chapter 3 Margins of Realism: Exploring the Contemporary Landscape Chapter 4 Perforated Presence: the Documentary Between the Self and the Scene Chapter 5 Embodiments: Genre and Performance Chapter 6 Accidents and Miracles: Film and the Experience of History Filmography Index
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