Examines the social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valerie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict.
Examines the social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valerie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict.
VALÉRIE K. ORLANDO is a professor of French and Francophone literatures and cultures and head of the French and Italian department at the University of Maryland, College Park. She is the author of several books, including the forthcoming, The Algerian New Novel: The Poetics of a Modern Nation, 1950-1979.
Inhaltsangabe
Author’s Note vii Introduction 1 1 From Revolution to the Coming of Age of African Cinema, 1960s–1990s 39 2 New Awakenings and New Realities of the Twenty-First Century in African Film 82 Conclusion: The Futures of African Film 141 Acknowledgments 145 Notes 147 Further Reading and Useful Websites 155 Works Cited 157 Selected Filmography: Twenty-First-Century Films 167 Index 169
Author’s Note vii Introduction 1 1 From Revolution to the Coming of Age of African Cinema, 1960s–1990s 39 2 New Awakenings and New Realities of the Twenty-First Century in African Film 82 Conclusion: The Futures of African Film 141 Acknowledgments 145 Notes 147 Further Reading and Useful Websites 155 Works Cited 157 Selected Filmography: Twenty-First-Century Films 167 Index 169
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