Literary study that focuses on how early-20th-century French writers (Gide, Collette and Proust) used first-person narrative to explore questions of sexuality and group identity.
Literary study that focuses on how early-20th-century French writers (Gide, Collette and Proust) used first-person narrative to explore questions of sexuality and group identity.
Michael Lucey is Professor of French and Comparative Literature and Chair of the Department of French at the University of California, Berkeley. He is the author of The Misfit of the Family: Balzac and the Social Forms of Sexuality and translator of Didier Eribon’s Insult and the Making of the Gay Self, both also published by Duke University Press.
Inhaltsangabe
Acknowledgments vii Introduction: Referring to Same-Sex Sexualities in the First Person 1 1. Gide, Bourget, and Proust Talking 29 2. Questions of Register in and around 1902 57 3. Colette, the Moulin Rouge, and Les Vrilles 94 4. Gide and Posterity 165 5. Proust’s Queer Metalepses 193 6. Sodom and Gomorrah: Proust’s Narrator’s First Person 215 Epilogue 250 Notes 259 Works Cited 303 Index 317
Acknowledgments vii Introduction: Referring to Same-Sex Sexualities in the First Person 1 1. Gide, Bourget, and Proust Talking 29 2. Questions of Register in and around 1902 57 3. Colette, the Moulin Rouge, and Les Vrilles 94 4. Gide and Posterity 165 5. Proust’s Queer Metalepses 193 6. Sodom and Gomorrah: Proust’s Narrator’s First Person 215 Epilogue 250 Notes 259 Works Cited 303 Index 317
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