Nicht lieferbar
Andere Kunden interessierten sich auch für
![Docu-Fictions of War]( "Docu-Fictions of War")
Docu-Fictions of War33,99 €![Photo-Essays about Asian American Women in Life Magazine 1936 to 1965]( "Photo-Essays about Asian American Women in Life Magazine 1936 to 1965")
Photo-Essays about Asian American Women in Life Magazine 1936 to 196545,99 €![The Transmedia Construction of the Black Panther]( "The Transmedia Construction of the Black Panther")
The Transmedia Construction of the Black Panther46,99 €![American Propaganda from the Spanish-American War to Iraq]( "American Propaganda from the Spanish-American War to Iraq")
American Propaganda from the Spanish-American War to Iraq49,99 €![Social Media, Technology, and New Generations]( "Social Media, Technology, and New Generations")
Social Media, Technology, and New Generations45,99 €![Stereotypes of Muslim Women in the United States]( "Stereotypes of Muslim Women in the United States")
Stereotypes of Muslim Women in the United States45,99 €![Intersectional Media]( "Intersectional Media")
Intersectional Media45,99 €
Netflix's Speculative Fictions: Financializing Platform Television argues that Netflix's scaled expansion has hinged upon its ability not only to create, but more importantly to communicate, new forms and flows of potential value in platform capitalism, wherein capital is mobilized not only from direct revenue streams but also the new value assigned to inputs and investments of data, debt, attention, behavior, taste, time, sociality, and speculation. To interpret and critique these new communications and projections of value, Colin Jon Mark Crawford performs a discursive analysis of the platform television industry leader Netflix and its 'investor lore': the multi-sited narrative of value found in the company's investor relations materials and corporate communications, such as letters to shareholders, financial earnings reports, executive interviews, press releases, and blog posts. Netflix best represents the increasingly ubiquitous nexus of culture, tech, and finance industries that is platform television. To better understand the emergent financial logics of this relatively new media industry, we must first understand the speculative narratives and discourses of value which organize it. Scholars of media studies, television studies, technology studies, and economics will find this book particularly useful.