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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Neoism is a parodistic -ism. It refers both to a specific subcultural network of artistic performance and media experimentalists, and more generally to a practical underground philosophy. It operates with collectively shared pseudonyms and identities, pranks, paradoxes, plagiarism and fakes, and has created multiple contradicting definitions of itself in order to defy categorization and historization. Definitions of Neoism and Neoist activity are currently disputed.…mehr

Produktbeschreibung
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Neoism is a parodistic -ism. It refers both to a specific subcultural network of artistic performance and media experimentalists, and more generally to a practical underground philosophy. It operates with collectively shared pseudonyms and identities, pranks, paradoxes, plagiarism and fakes, and has created multiple contradicting definitions of itself in order to defy categorization and historization. Definitions of Neoism and Neoist activity are currently disputed. The main source of this are splits within the Neoist network which created vastly different, tactically distorted accounts of Neoism and its history. Undisputed, however are the origins of the movement in the mid- to late 1970s Canada, and the coinage of the multiple identity Monty Cantsin through the Mail Artist David Zack (died ca. 1995) (perhaps with the collaboration of artists Maris Kudzins and performance artist Istvan Kantor). Schisms followed in the mid-1980s.