Neo-Impressionism and Anarchism in Fin-de-Siècle France examines for the first time the close and complex relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. It focuses especially on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, relating their pointillist technique and their subjects to the social, scientific and aesthetic ideals of the anarchist theoreticians Elisée Reclus, Pierre Kropotkin and Jean Grave.
Neo-Impressionism and Anarchism in Fin-de-Siècle France examines for the first time the close and complex relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. It focuses especially on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, relating their pointillist technique and their subjects to the social, scientific and aesthetic ideals of the anarchist theoreticians Elisée Reclus, Pierre Kropotkin and Jean Grave.
Robyn Roslak is Associate Professor of Art History at the University of Minnesota, Duluth, USA.
Inhaltsangabe
Contents: Introduction Neo-impressionism, anarchism and the 'republic of science and reason' Anarchists, artists and artisans Representing Paris: streets, bridges and petits boulevards Anarchist geography and the idea of landscape 'Dirty and radiant, depressing and cheerful:' the neo-impressionist suburbs Anarchists and tourists in Provence Conclusion: looking forward, looking back: neo-impressionism around 1900 Bibliography Index.
Contents: Introduction Neo-impressionism, anarchism and the 'republic of science and reason' Anarchists, artists and artisans Representing Paris: streets, bridges and petits boulevards Anarchist geography and the idea of landscape 'Dirty and radiant, depressing and cheerful:' the neo-impressionist suburbs Anarchists and tourists in Provence Conclusion: looking forward, looking back: neo-impressionism around 1900 Bibliography Index.
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