In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux.
In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux.
Acknowledgments ix Introduction 1 1. Raced Neoliberalism: Groundings for Hip Hop 29 2. Hip Hop Cubano: An Emergent Site of Black Life 57 3. New Revolutionary Horizons 91 4. Critical Self-Fashionings and Their Gendering 135 5. Racial Challenges and the State 171 6. Whither Hip Hop Cubano? 199 Postscript 235 Notes 239 References 255 Index 273
Acknowledgments ix Introduction 1 1. Raced Neoliberalism: Groundings for Hip Hop 29 2. Hip Hop Cubano: An Emergent Site of Black Life 57 3. New Revolutionary Horizons 91 4. Critical Self-Fashionings and Their Gendering 135 5. Racial Challenges and the State 171 6. Whither Hip Hop Cubano? 199 Postscript 235 Notes 239 References 255 Index 273
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